The Haywain Triptych

Name: The Haywain Triptych
Brand: Monstrance Editions
Availability: InStock

Hieronymus Bosch (S'Hertogenbosch, Netherlands, 1450–1516)

Held by Museo Nacional del Prado, P002052

Medium Oil on panel

Dimensions Alto con marco: 147.1 cm; Ancho con marco: 224.3 cm

Credit Alcázar de Madrid, 1636; Casa de Campo, Madrid, 1788; broken up during the Peninsular Wars. Central panel (The Haywain): collection of the I Marquis of Salamanca (1811-1883); acquired in 1848 by Isabel II, who sent it to the Palace of Aranjuez, then to the monastery of El Escorial, where it remained until 1914. Left panel (Paradise): Museo del Prado, 1839. Right panel (Hell): in the Monastery of El Escorial until 1914; Alfonso XIII ceded the right and central panels to the Museo del Prado in 1914 in order to complete the triptych; the complete triptych has been in the Museo del Prado since 1914.

Sizes

Wall left 18×24 in + centre 18×24 in + right 18×24 in $349 · $420 bought separately · the painted images hang level

Grand left 20×40 in + centre 40×40 in + right 20×40 in $609 · $720 bought separately · the painted images hang level

One object, one accession: the Prado holds the triptych as P002052 and it is sold whole. Three sheets, one edition: Wall $349, Grand $609 - the printed images hang level.

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All three panels are the same height on the object, so a tier is only honest if the PRINTED images hang level. The tier below is computed the way the Garden set's is: fitPrintArea gives each panel its maximum on its sheet, then the set levels down to the smallest of those heights. 0.00% is structural, not luck.

Provenance of the files
Held by	Museo Nacional del Prado · P002052 the museum’s record
Source file	Wikimedia Commons · The Haywain Triptych, ca. 1516.jpg
Licence	Public domain
Panel · left	Paradise — 6,800 × 20,668 px
Panel · centre	The Haywain — 15,240 × 20,646 px
Panel · right	Hell — 6,440 × 20,734 px
Chain	Each panel taken from the source file above and cut to its own painted field; held as 3 print masters.

Printed on demand as one edition. The whole image is printed on every sheet — never cropped to fit — so each panel carries an archival margin.