MONSTRANCE
The Merode Altarpiece — The Donors (left wing) — Workshop of Robert Campin
donors  ·  The Merode Altarpiece — The Donors (left wing)
The Merode Altarpiece — The Annunciation — Workshop of Robert Campin
annunciation  ·  The Merode Altarpiece — The Annunciation
The Merode Altarpiece — Joseph in his Workshop (right wing) — Workshop of Robert Campin
joseph  ·  The Merode Altarpiece — Joseph in his Workshop (right wing)
3 sheets, one edition

Annunciation Triptych (Merode Altarpiece)

Workshop of Robert Campin (Netherlandish, Tournai, c. 1375–1444)
Held by The Metropolitan Museum of Art, New York, 56.70a–c
Medium Oil on oak
Dimensions Overall (open): 25 3/8 x 46 3/8 in. (64.5 x 117.8 cm); Central panel: 25 1/4 x 24 7/8 in. (64.1 x 63.2 cm); each wing: 25 3/8 x 10 3/4 in. (64.5 x 27.3 cm)
Credit The Cloisters Collection, 1956

Sizes

Mid   donors 8×10 in + annunciation 11×14 in + joseph 8×10 in   $133 · $157 bought separately · the painted images hang level within 10.1%

One object, one accession: the Met holds the three panels as 56.70a–c and they are sold whole. Three sheets, one edition - $157.

In the Cloisters Collection since 1956 and, the Met says, one of the most celebrated of early Netherlandish paintings for its detailed observation, its rich imagery and its superb condition. Three oak panels made in phases in Robert Campin's Tournai workshop: the Annunciation first, probably not commissioned; then the wings at the donor's order, the man kneeling at the Virgin's door and Joseph at his bench; later, in the 1430s and presumably after his marriage, his wife and the town messenger. The panels are equal in height; the sheets here come as close as the ladder allows.

The Met's order: the donors' wing, the Annunciation, Joseph's wing - the triptych open, as the Cloisters shows it. The printed images hang within 10.1% of level, the closest the sheet ladder allows for a near-square centre between narrow wings; the panels themselves are equal, 64.1 and 64.5 cm (the Met's dimensions).

Printed on demand as one edition. The whole image is printed on every sheet — never cropped to fit — so each panel carries an archival margin.