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Feasts  ·  The Dedication of the Lateran Basilica

The Dedication of the Lateran Basilica

9 November  ·  Feast  ·  White

A feast of the Lord's house: when it falls on a Sunday it takes the place of the Sunday.

Pope Innocent III sleeps in red under a canopy while two of his household sit below and keep watch, and in his dream a poor man in a brown habit sets his shoulder under a leaning church and holds it up. The church is the Lateran, and the poor man is Saint Francis. The basilica stands where the palace of the Laterani family stood in ancient Rome; it came to Constantine, the first Christian emperor, through his wife Fausta, and under Pope Saint Sylvester it became the Basilica of the Saviour, the cathedral of the bishops of Rome. The title of Saint John came later, from a Benedictine monastery beside it. Its inscription calls it the mother and head of all the churches of the city and of the world. For about a thousand years the popes lived beside it, and the councils of the Lateran met there; an earthquake nearly destroyed it in 896, and fires in 1307 and 1361 did harm that could not be undone. Innocent X had it remade, with Borromini for his architect. Within the papal altar is the wooden altar on which Saint Peter is believed to have said Mass. The feast keeps the dedication of a building, and the Gospel says what a temple is: every church we enter is held up, as Giotto knew, by somebody.

Arthur Barnes, “Saint John Lateran”, The Catholic Encyclopedia, vol. 9 (1910): newadvent.org

The Dream of Innocent III by Giotto (attributed), Upper Church of San Francesco, Assisi
The Dream of Innocent III
Giotto (attributed)
fresco, Upper Church of San Francesco, Assisi
From the Legend of Saint Francis; the attribution of the cycle to Giotto is debated.
The photograph's record

The Gospel of the feast

19Jesus answered and said to them: Destroy this temple; and in three days I will raise it up. 20The Jews then said: Six and forty years was this temple in building; and wilt thou raise it up in three days? 21But he spoke of the temple of his body. 22When therefore he was risen again from the dead, his disciples remembered that he had said this: and they believed the scripture and the word that Jesus had said.

John 2:19–22, Douay-Rheims (Challoner)

In painting

S. Giovanni in Laterano by Israël Silvestre, 1640–1660, National Gallery of Art, Washington
S. Giovanni in Laterano
Israël Silvestre
1640–1660, etching, National Gallery of Art, Washington, 1981.69.12.231
The holding institution's record

The day in the next three years

2026Monday 9 November
2027Tuesday 9 November
2028Thursday 9 November

The feasts of the year  ·  The saints  ·  The Rosary

Written and checked by the Monstrance editors; sources cited. Scripture in the Douay-Rheims (Challoner). Every painting is in the public domain, and each caption follows the record of the institution that holds it.

Today's masterwork, each morning

One sacred painting a day, chosen by the liturgical calendar and captioned only from the museum's record: the feast, the colour of the day, and the Scripture the scene depicts.

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