MONSTRANCE
The Vision and Inspiration (Joan of Arc series: I) by Louis Maurice Boutet de Monvel, c. 1907-early 1909, National Gallery of Art, Washington
Saints

The Vision and Inspiration (Joan of Arc series: I)

Louis Maurice Boutet de Monvel (French, 1850–1913)

c. 1907-early 1909 · oil and gold leaf on canvas · National Gallery of Art, Washington

For Saint Joan of Arc · 30 May

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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

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About this painting

The sheep have not noticed. They lie in the grass with their legs folded under them while the girl on her knees among them lifts both hands toward a blaze of gold at the edge of the wood. Inside it stands Saint Michael in gilded armour, pointing with his sword the way she must go, and two women in gowns worked with gold at his sides, Catherine and Margaret, the whole vision laid in gold leaf on the canvas. A basket of wool has tipped over at her knee. Louis Maurice Boutet de Monvel painted it in about 1907 to 1909 as the first of a series on Joan of Arc commissioned by the American senator William A. Clark, and the National Gallery of Art records it as oil and gold leaf, bequeathed to the Corcoran Gallery in 1926 and acquired in 2015. She told her judges the voice first came to her at about thirteen, in her father's garden, at noon. Here it is the whole sky. The sheep go on chewing.

Sources: National Gallery of Art, Washington, 'The Vision and Inspiration (Joan of Arc series: I)', 2015.19.34; open data and object page read 2026-10-15. · Catholic Encyclopedia (1910), 'St. Joan of Arc'.

Pray with this every day  ›
The Record
Date c. 1907-early 1909
Collection National Gallery of Art, Washington
Subject Saints
Season Ordinary Time
Master 15,409 px
License PD/CC0
Attribution National Gallery of Art, Washington · 2015.19.34

The original, as its museum records it

Artist Louis Maurice Boutet de Monvel
Date c. 1907-early 1909
Medium oil and gold leaf on canvas
Dimensions overall: 75.57 × 168.91 cm (29 3/4 × 66 1/2 in.); framed: 98.43 × 193.04 × 10.16 cm (38 3/4 × 76 × 4 in.)
Holding National Gallery of Art, Washington · 2015.19.34

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source default.jpg
Master 15,409 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistLouis Maurice Boutet de Monvel (French, 1850–1913)
Datec. 1907-early 1909
MuseumNational Gallery of Art, Washington
Accession2015.19.34
Mediumoil and gold leaf on canvas
Dimensionsoverall: 75.57 × 168.91 cm (29 3/4 × 66 1/2 in.); framed: 98.43 × 193.04 × 10.16 cm (38 3/4 × 76 × 4 in.)
Sheet sizes8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in
Provenance of the file
Held byNational Gallery of Art, Washington · 2015.19.34 the museum’s record
Source filethe National Gallery of Art’s own open-access file (IIIF)
Licencepublic domain; the file released under CC0
Master15,409 × 6,808 px, the file our printer receives
ChainTaken from the National Gallery of Art’s own open-access file (IIIF) on 15 October 2026; held as our print master.

The sheets

8×10 in sheet 10×8 in · image 10×4.4 in · archival margin · 1541 dpi
11×14 in sheet 14×11 in · image 14×6.2 in · archival margin · 1101 dpi
16×20 in sheet 20×16 in · image 20×8.8 in · archival margin · 770 dpi
18×24 in sheet 24×18 in · image 24×10.6 in · archival margin · 642 dpi
24×36 in sheet 36×24 in · image 36×15.9 in · archival margin · 428 dpi
32×48 in sheet 48×32 in · image 48×21.2 in · archival margin · 321 dpi
40×60 in sheet 60×40 in · image 60×26.5 in · archival margin · 257 dpi

Printed on demand. Public-domain masterwork, reproduced from a 15,409 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.