MONSTRANCE
The Meditation on the Passion by Vittore Carpaccio, ca. 1490, The Metropolitan Museum of Art, New York
Saints

The Meditation on the Passion

Vittore Carpaccio (Italian, Venice 1460/66?–1525/26 Venice)

ca. 1490 · Oil and tempera on wood · The Metropolitan Museum of Art, New York

Sizes

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

Send as a gift

A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.

0 / 240
Have a gift certificate?

The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.

All editions

About this painting

Christ sits dead on a broken throne, and two old men keep watch without a word. The Metropolitan Museum calls it a meditation on death and resurrection: the body displayed on a throne inscribed in pseudo-Hebrew, a bird, symbol of the soul, flying upward. The Old Testament prophet Job sits on an inscribed block; opposite him is Saint Jerome, who wrote a commentary on the book of Job. The land, barren on one side and lush on the other, alludes, the Met says, to death and life. Carpaccio leaves a skull in the dust, and the crown of thorns lies on the ground.

Sources: The Metropolitan Museum of Art, New York, 'The Meditation on the Passion', accession 11.118; read 2026-08-27. · Atara Moscovich, 'The Lion and the Wisdom - The Multiple Meanings of the Lion as One of the Keys for Deciphering Vittore Carpaccio's Meditation on the Passion', Religions 10, no. 5 (2019): art. 344, DOI 10.3390/rel10050344; open access, read 2026-08-27.

Pray with this every day  ›
The Record
Date ca. 1490
Collection The Metropolitan Museum of Art, New York
Subject Saints
Season Ordinary Time
Master 3,833 px
License PD/CC0
Attribution The Metropolitan Museum of Art, New York · 11.118

The original, as its museum records it

Artist Vittore Carpaccio
Date ca. 1490
Medium Oil and tempera on wood
Dimensions Overall 27 3/4 x 34 1/8in. (70.5 x 86.7cm); painted surface 26 3/16 × 33 1/4 in. (66.5 × 84.5 cm)
Holding The Metropolitan Museum of Art, New York · 11.118

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source The Meditation on the Passion MET DP296427.jpg
Master 3,833 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistVittore Carpaccio (Italian, Venice 1460/66?–1525/26 Venice)
Dateca. 1490
MuseumThe Metropolitan Museum of Art, New York
Accession11.118
MediumOil and tempera on wood
DimensionsOverall 27 3/4 x 34 1/8in. (70.5 x 86.7cm); painted surface 26 3/16 × 33 1/4 in. (66.5 × 84.5 cm)
Sheet sizes11×14 in
Provenance of the file
Held byThe Metropolitan Museum of Art, New York · 11.118 the museum’s record
Source fileThe Met’s own open-access file
LicenceCreative Commons Zero, Public Domain Dedication
Master3,833 × 3,120 px, the file our printer receives
ChainTaken from The Met’s own open-access file on 25 August 2026; held as our print master.

The sheets

11×14 in sheet 14×11 in · image 13.5×11 in · archival margin · 284 dpi

Printed on demand. Public-domain masterwork, reproduced from a 3,833 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.