MONSTRANCE
Saying Grace (Le Bénédicité) by Jean-Baptiste-Siméon Chardin, 1725–1750, Musée du Louvre, Paris
Prayer and Devotion

Saying Grace (Le Bénédicité)

Jean-Baptiste-Siméon Chardin (French, 1699–1779)

1725–1750 · huile sur toile (oil on canvas) · Musée du Louvre, Paris

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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

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About this painting

The smaller girl has her hands together and her eyes on her mother, and she is saying it; the older one, on the far side of the table, waits with her spoon. The mother bends to set down the soup with a look that is half listening, half checking. Under the table a drum has been put down for later. Chardin showed the first Bénédicité at the Salon of 1740 and gave it to Louis XV, and the Louvre records this canvas as his own replica of it, painted between 1725 and 1750 and left to the museum by Dr Louis La Caze in 1869; it hangs now at Louvre-Lens. Nothing holy is in the room but the prayer. The striped chairs, the pewter, the warming pan by the wall are the whole of the setting, and the grace before meals is treated as what it was in that house, the most ordinary thing in the day. Which is the point of grace.

Sources: Musée du Louvre, 'Le Bénédicité', MI 1031; read 2026-10-15. · Musée du Louvre, 'Le Bénédicité', INV 3202; read 2026-10-15.

Pray with this every day  ›
The Record
Date 1725–1750
Collection Musée du Louvre, Paris
Subject Prayer and Devotion
Season Ordinary Time
Master 4,440 px
License Public domain (PD-Art, US); visitor photograph at Louvre-Lens on Wikimedia Commons, cropped to the canvas; the holder's own file is non-commercial, so the master is the Commons reproduction under the US PD-Art position
Attribution Musée du Louvre, Paris · MI 1031

The original, as its museum records it

Artist Chardin, Jean Baptiste Siméon (Paris, 1699 - Paris, 1779), France École de
Date 2e quart du XVIIIe siècle (1725 - 1750)
Medium huile sur toile (oil on canvas)
Dimensions Hauteur : 0,495 m ; Largeur : 0,41 m
Holding Musée du Louvre, Paris · MI 1031

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Le Bénédicité de Jean Siméon Chardin (cropped).jpg
Master 4,440 px on the long edge
Rights Public domain (PD-Art, US); visitor photograph at Louvre-Lens on Wikimedia Commons, cropped to the canvas; the holder's own file is non-commercial, so the master is the Commons reproduction under the US PD-Art position — the photograph as well as the painting
At a glance
ArtistJean-Baptiste-Siméon Chardin (French, 1699–1779)
Date1725–1750
MuseumMusée du Louvre, Paris
AccessionMI 1031
Mediumhuile sur toile (oil on canvas)
DimensionsHauteur : 0,495 m ; Largeur : 0,41 m
Sheet sizes8×10 in, 11×14 in, 16×20 in, 18×24 in, 32×48 in
Provenance of the file
Held byMusée du Louvre, Paris · MI 1031 the museum’s record
Source fileWikimedia Commons · Le Bénédicité de Jean Siméon Chardin (cropped).jpg
LicencePublic domain
Master3,903 × 4,440 px, the file our printer receives
ChainTaken from Wikimedia Commons on 15 October 2026; cut to the painted field; held as our print master.

The sheets

8×10 in sheet 8×10 in · image 8×9.1 in · archival margin · 488 dpi
11×14 in sheet 11×14 in · image 11×12.5 in · archival margin · 355 dpi
16×20 in sheet 16×20 in · image 16×18.2 in · archival margin · 244 dpi
18×24 in sheet 18×24 in · image 18×20.5 in · archival margin · 217 dpi
32×48 in sheet 32×48 in · image 32×36.4 in · archival margin · 122 dpi

Printed on demand. Public-domain masterwork, reproduced from a 4,440 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.