Editions
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Saint Jerome in the Wilderness
c. 1500/1505 · oil on panel transferred to canvas · National Gallery of Art, Washington
For Saint Jerome · 30 September
Sizes
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
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All editionsAbout this painting
A stone in one hand, the other at his breast, Saint Jerome kneels to the crucifix in open country. Jerome wrote his own account of these years: alone in the desert, with scorpions and wild beasts for company, he cried aloud all night and did not stop beating his breast. His letter has no stone in it, and no lion. Cima da Conegliano gives him both: the lion lies under the cave mouth, and a black snake slides from a crevice at the foot of the cross. The lion limps in later, with the thirteenth-century Golden Legend, a thorn in its paw. The breast-beating is Jerome's own.
Sources: National Gallery of Art, Washington, artist page 'Cima da Conegliano', entry for Saint Jerome in the Wilderness, 1939.1.168; read 2026-09-01. · National Gallery of Art, 'Saint Jerome in the Wilderness', Cima da Conegliano, 1939.1.168 · Jerome, Epistula 22 ad Eustochium, §7, trans. W. H. Fremantle (NPNF II.6), New Advent · Jacobus de Voragine, The Golden Legend (Legenda aurea, c. 1260), ch. 146, 'Of S. Jerome', trans. William Caxton, 1483. · Eugene F. Rice Jr., Saint Jerome in the Renaissance, Johns Hopkins University Press, Baltimore, 1985, pp. 44–45. · Samuel H. Kress Foundation, Kress Collection, 'Saint Jerome in the Wilderness', K317 · Google Arts & Culture, 'Saint Jerome in the Wilderness', Cima da Conegliano (NGA record)
The Record
The original, as its museum records it
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The file this print is made from
| Artist | Cima da Conegliano (Venetian, c. 1459–1517/1518) |
|---|---|
| Date | c. 1500/1505 |
| Museum | National Gallery of Art, Washington |
| Accession | 1939.1.168 |
| Medium | oil on panel transferred to canvas |
| Dimensions | 48 x 40 cm (18 7/8 x 15 3/4 in.) |
| Sheet sizes | 18×24 in, 24×36 in, 32×48 in, 40×60 in |
| Held by | National Gallery of Art, Washington · 1939.1.168 the museum’s record |
|---|---|
| Source file | the National Gallery of Art’s own open-access file (IIIF) |
| Licence | public domain; the file released under CC0 |
| Master | 17,321 × 20,772 px, the file our printer receives |
| Chain | Taken from the National Gallery of Art’s own open-access file (IIIF) on 1 September 2026; held as our print master. |
The sheets
Printed on demand. Public-domain masterwork, reproduced from a 20,772 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.