MONSTRANCE
The Repentant Magdalen by Georges de La Tour, c. 1640, National Gallery of Art, Washington
Saints

The Repentant Magdalen

Georges de La Tour (French, 1593–1652)

c. 1640 · oil on canvas · National Gallery of Art, Washington

Sizes

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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

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About this painting

A mirror cannot refuse a face; this one does. She looks straight into the small glass, and by the Gallery's account it gives back the skull and the book beneath it.

The one candle is mostly out of sight behind that skull, so the room's only light reaches her past it. Her hand settles on the bone. The Gallery reads flame, mirror and skull as life's transience and her rejection of luxury for Christ; seventeenth-century Catholic teaching made her the sign of the Sacrament of Penance.

A woman at her mirror; the only face in it is a skull.

Sources: National Gallery of Art, Washington, object record, acc. 1974.52.1 · National Gallery of Art, "Georges de la Tour's The Repentant Magdalen" (ASL description) · National Gallery of Art collection text, Google Arts & Culture · National Gallery of Art provenance index, Monsieur André Fabius · National Gallery of Art, "Georges de La Tour's Repentant Magdalene," 25 April - 6 September 1993

And standing behind at his feet. she began to wash his feet with tears and wiped them with the hairs of her head and kissed his feet and anointed them with the ointment.

Luke 7:38 · Douay-Rheims (Challoner)

Pray with this every day  ›
The Record
Date c. 1640
Collection National Gallery of Art, Washington
Subject Saints
Season Ordinary Time
Master 26,114 px
License PD/CC0
Attribution National Gallery of Art, Washington · 1974.52.1

The original, as its museum records it

Artist Georges de La Tour
Medium oil on canvas
Dimensions overall: 113 × 92.7 cm (44 1/2 × 36 1/2 in.)
Holding National Gallery of Art, Washington · 1974.52.1

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Georges de La Tour, The Repentant Magdalen, c. 1635-1640, NGA 54386.jpg
Master 26,114 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistGeorges de La Tour (French, 1593–1652)
Datec. 1640
MuseumNational Gallery of Art, Washington
Accession1974.52.1
Mediumoil on canvas
Dimensionsoverall: 113 × 92.7 cm (44 1/2 × 36 1/2 in.)
Sheet sizes16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in
Provenance of the file
Held byNational Gallery of Art, Washington · 1974.52.1 the museum’s record
Source filethe National Gallery of Art’s own open-access file (IIIF)
LicenceCreative Commons Zero, Public Domain Dedication
Master21,673 × 26,114 px, the file our printer receives
ChainTaken from the National Gallery of Art’s own open-access file (IIIF); held as our print master.

The sheets

16×20 in sheet 16×20 in · image 16×19.3 in · archival margin · 1355 dpi
18×24 in sheet 18×24 in · image 18×21.7 in · archival margin · 1204 dpi
24×36 in sheet 24×36 in · image 24×28.9 in · archival margin · 903 dpi
32×48 in sheet 32×48 in · image 32×38.6 in · archival margin · 677 dpi
40×60 in sheet 40×60 in · image 40×48.2 in · archival margin · 542 dpi

Printed on demand. Public-domain masterwork, reproduced from a 26,114 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.