MONSTRANCE
Deposition from the Cross (Deposizione di Volterra) — Rosso Fiorentino
Sanctuary Edition

Deposition from the Cross (Deposizione di Volterra)

Date 1521
Collection Pinacoteca e Museo Civico
Subject Descent from the Cross
Season Holy Week
Master 7,500 px
License Public domain

Sizes

18×24 in$140
sheet 18×24 in · image 14.2×24 in · archival margin · 312 dpi
24×36 in$190
sheet 24×36 in · image 21.3×36 in · archival margin · 208 dpi
32×48 in$340
sheet 32×48 in · image 28.3×48 in · archival margin · 156 dpi
40×60 in$480
sheet 40×60 in · image 35.4×60 in · archival margin · 125 dpi
View in the gallery

About this painting

The restoration found the painter's handwriting. Under the paint of this altarpiece were Rosso's own jotted notes naming which colour to lay into which passage, and reflectography showed the design drawn freehand in charcoal straight onto the gessoed panel. It also showed he changed his mind about the Virgin: first painted swooning, she ends grieving but alert, suspended between suffering and control. He was twenty-seven. The panel is nearly three and a half metres high.

Sources: Artribune and ANSA reporting on the completion of the 2021-2023 restoration of Rosso Fiorentino's Deposition, November 2023, with the tombstone from volterratur.it, the official Volterra destination board; all read 2026-08-27.

And after these things, Joseph of Arimathea (because he was a disciple of Jesus, but secretly for fear of the Jews), besought Pilate that he might take away the body of Jesus. And Pilate gave leave. He came therefore and took away the body of Jesus.

John 19:38 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 7,500 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.