
The restoration found the painter's handwriting. Under the paint of this altarpiece were Rosso's own jotted notes naming which colour to lay into which passage, and reflectography showed the design drawn freehand in charcoal straight onto the gessoed panel. It also showed he changed his mind about the Virgin: first painted swooning, she ends grieving but alert, suspended between suffering and control. He was twenty-seven. The panel is nearly three and a half metres high.
And after these things, Joseph of Arimathea (because he was a disciple of Jesus, but secretly for fear of the Jews), besought Pilate that he might take away the body of Jesus. And Pilate gave leave. He came therefore and took away the body of Jesus.
John 19:38 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js
Printed on demand. Public-domain masterwork, reproduced from a 7,500 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.