Editions
Drag the print to move it. The painting is shown at true scale; where its shape differs from the sheet the print has a paper border, not drawn here. Prints are sold unframed, and a frame here is only for planning.
Saint John in the Desert
c. 1445/1450 · tempera on panel · National Gallery of Art, Washington
For the Nativity of Saint John the Baptist · 24 June
Sizes
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
Send as a gift
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240Have a gift certificate?
The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsAbout this painting
A young man stands bare in white sand, letting a coral-red cloth fall onto a white one already on the ground. Over his other shoulder hangs a brown skin. The National Gallery of Art names the moment: Saint John exchanging his rich, worldly clothes for a rough camel-hair coat, and the Web Gallery of Art knows no other painting of John at this moment. Earlier artists, the Gallery notes, dwelt on the skin's divine origin or on his preaching; Domenico Veneziano turned to the decision itself, to forsake luxury. In the Gallery's reading the body is a Grecian type made a religious being by the golden halo, here a thin gold plate edged in red, and the bare peaks stress how desolate a place he has chosen. Luke says only that he "was in the deserts until the day of his manifestation to Israel."
Sources: National Gallery of Art, Washington, artist page 'Domenico Veneziano', entry for Saint John in the Desert, 1943.4.48; read 2026-09-01. · National Gallery of Art, 'Saint John in the Desert', Domenico Veneziano, 1943.4.48, page meta description · Google Arts & Culture, 'Saint John in the Desert', Domenico Veneziano, carrying the National Gallery of Art's overview text · Web Gallery of Art, 'St John in the Wilderness (predella 2)', Domenico Veneziano · Samuel H. Kress Foundation, Kress Collection, 'Saint John in the Desert', K1331
And the child grew and was strengthened in spirit: and was in the deserts until the day of his manifestation to Israel.
Luke 1:80 · Douay-Rheims (Challoner)
The Record
The original, as its museum records it
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The file this print is made from
| Artist | Domenico Veneziano (Florentine, c. 1410–1461) |
|---|---|
| Date | c. 1445/1450 |
| Museum | National Gallery of Art, Washington |
| Accession | 1943.4.48 |
| Medium | tempera on panel |
| Dimensions | overall: 28.4 × 31.8 cm (11 3/16 × 12 1/2 in.); framed: 40.6 × 44.1 × 5.1 cm |
| Sheet sizes | 18×24 in, 24×36 in, 32×48 in, 40×60 in |
| Held by | National Gallery of Art, Washington · 1943.4.48 the museum’s record |
|---|---|
| Source file | the National Gallery of Art’s own open-access file (IIIF) |
| Licence | public domain; the file released under CC0 |
| Master | 16,292 × 14,311 px, the file our printer receives |
| Chain | Taken from the National Gallery of Art’s own open-access file (IIIF) on 1 September 2026; held as our print master. |
The sheets
Printed on demand. Public-domain masterwork, reproduced from a 16,292 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.