MonstranceMonstranceEditions
Mary Magdalene Comforted by an Angel by Claude Vignon, 1626, National Gallery of Art, Washington
Saints

Mary Magdalene Comforted by an Angel

Claude Vignon (French, 1593–1670)

1626 · oil on panel · National Gallery of Art, Washington

Sizes

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.

Send as a gift

A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.

0 / 240
Have a gift certificate?

The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.

All editions

About this painting

Mary Magdalene sits barefoot under dark trees, her hair loose, a slender cross against her shoulder, and an angel in red and gold kneels to her across a grey rock. On the ground between them a small gold chalice stands on a closed book. The Golden Legend of Jacobus de Voragine sends her into a place with no running water, no trees and no herbs, alone for thirty years; at every canonical hour, it says, angels lifted her into the air to hear the songs of heaven, and fed her, so that she needed no bodily food. Claude Vignon keeps one angel and gives her back the land: trees, green hills, a sky of moving cloud. The National Gallery of Art reads the inscription at lower right, signed and dated 1626. Nobody is lifted. The angel leans close, and her lips part.

Sources: National Gallery of Art, Washington, 'Mary Magdalene Comforted by an Angel', Claude Vignon, 1626, 2017.159.2; read 2026-09-01. · Jacobus de Voragine, The Golden Legend, vol. 4, 'Life of S. Mary Magdalene', trans. William Caxton (Temple Classics ed.), Christian Classics Ethereal Library

Pray with this every day  ›
The Record
Date 1626
Collection National Gallery of Art, Washington
Subject Saints
Season Ordinary Time
Master 23,757 px
License PD/CC0
Attribution National Gallery of Art, Washington · 2017.159.2

The original, as its museum records it

Artist Claude Vignon, Artist, French, 1593 - 1670
Date 1626
Medium oil on panel
Dimensions overall: 77 × 99 cm (30 5/16 × 39 in.)
Holding National Gallery of Art, Washington · 2017.159.2

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source default.jpg
Master 23,757 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistClaude Vignon (French, 1593–1670)
Date1626
MuseumNational Gallery of Art, Washington
Accession2017.159.2
Mediumoil on panel
Dimensionsoverall: 77 × 99 cm (30 5/16 × 39 in.)
Sheet sizes18×24 in, 24×36 in, 32×48 in, 40×60 in
Provenance of the file
Held byNational Gallery of Art, Washington · 2017.159.2 the museum’s record
Source filethe National Gallery of Art’s own open-access file (IIIF)
Licencepublic domain; the file released under CC0
Master23,757 × 18,519 px, the file our printer receives
ChainTaken from the National Gallery of Art’s own open-access file (IIIF) on 1 September 2026; held as our print master.

The sheets

18×24 in sheet 24×18 in · image 23.1×18 in · archival margin · 1029 dpi
24×36 in sheet 36×24 in · image 30.8×24 in · archival margin · 772 dpi
32×48 in sheet 48×32 in · image 41.1×32 in · archival margin · 579 dpi
40×60 in sheet 60×40 in · image 51.3×40 in · archival margin · 463 dpi

Printed on demand. Public-domain masterwork, reproduced from a 23,757 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.