MONSTRANCE
The Calling of St Matthew by Caravaggio, 1599–1600, San Luigi dei Francesi, Rome
Saints

The Calling of St Matthew

Caravaggio (Italian, 1571–1610)

1599–1600 · Saint-Louis-des-Français / San Luigi dei Francesi, Roma

Sizes

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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

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About this painting

Christ's hand comes out of the dark and points across a table of coins. Irving Lavin reads it as Adam's hand from the Sistine ceiling, reversed: Christ as the New Adam. Smarthistory traces the light to a source above His head that Caravaggio will not show, and Gozzano and Tosini tie it to the chapel's own window; the window he does paint lets nothing in. At the table young men in feathers and silk turn to look. Which of them is Matthew, art historians have argued since Andreas Prater in 1985, and still argue. Someone at that table is about to stand up.

Sources: Irving Lavin, "Caravaggio’s Calling of St. Matthew: The Identity of the Protagonist," in Past-Present (UC Press, 1993), 84-99 · Andreas Prater, Pantheon (1985); Jürgen Müller, Kunstgeschichte OPRJ (2021), DOI 10.5283/kuge.577 · the beam from an unseen source above Christ’s head; contemporary dress against timeless robes · citing Gozzano & Tosini, La cappella Contarelli in San Luigi dei Francesi

And when Jesus passed on from thence, he saw a man sitting in the custom house, named Matthew; and he saith to him: Follow me. And he arose up and followed him.

Matthew 9:9 · Douay-Rheims (Challoner)

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The Record
Date 1599–1600
Collection San Luigi dei Francesi, Rome
Subject Saints
Season Ordinary Time
Master 10,039 px
License PD/CC0
Attribution Saint-Louis-des-Français / San Luigi dei Francesi, Roma

The original, as its museum records it

Artist Michelangelo Merisi, dit le Caravage
Holding Saint-Louis-des-Français / San Luigi dei Francesi, Roma
Accession none — this work has never left the church it was painted for, and a work in situ carries no inventory number

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source The Calling of Saint Matthew-Caravaggo (1599-1600).jpg
Master 10,039 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistCaravaggio (Italian, 1571–1610)
Date1599–1600
MuseumSaint-Louis-des-Français / San Luigi dei Francesi, Roma
Sheet sizes18×24 in, 24×36 in, 32×48 in, 40×60 in
Provenance of the file
Held bySaint-Louis-des-Français / San Luigi dei Francesi, Roma the museum’s record
Source fileWikimedia Commons · The Calling of Saint Matthew-Caravaggo (1599-1600).jpg
LicencePublic domain
Master9,770 × 10,039 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

18×24 in sheet 18×24 in · image 18×18.5 in · archival margin · 543 dpi
24×36 in sheet 24×36 in · image 24×24.7 in · archival margin · 407 dpi
32×48 in sheet 32×48 in · image 32×32.9 in · archival margin · 305 dpi
40×60 in sheet 40×60 in · image 40×41.1 in · archival margin · 244 dpi

Printed on demand. Public-domain masterwork, reproduced from a 10,039 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.