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c. 1335 · tempera on panel · National Gallery of Art, Washington
For the Nativity of Saint John the Baptist · 24 June
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All editionsZacharias cannot speak, so he writes. He braces a scroll on one knee, brows furrowed, and the letters can be read: NOMEN EST IOHANNES, the name is John. Luke says the neighbours wanted the child called Zacharias after his father; the man beside him turns and gestures toward him. Behind, Saint Elizabeth sits up under a red coverlet, and the infant Saint John lies swaddled in his cradle. Miklós Boskovits notes that Giovanni Baronzio pushes the Naming, often a scene of its own, inside the Birth and sets it at the front, with the Circumcision at the far right. The front belongs to an old man writing a name.
Sources: Miklós Boskovits, 'The Birth, Naming, and Circumcision of Saint John the Baptist, c. 1335', in Italian Paintings of the Thirteenth and Fourteenth Centuries, NGA Systematic Catalogue, online edition 2016 · National Gallery of Art, Washington, 'The Birth, Naming, and Circumcision of Saint John the Baptist', 1952.5.68 · Samuel H. Kress Foundation, Kress Collection, K1435 · Google Arts & Culture, National Gallery of Art, 'The Birth, Naming, and Circumcision of Saint John the Baptist'
And demanding a writing table, he wrote, saying: John is his name. And they all wondered.
Luke 1:63 · Douay-Rheims (Challoner)
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Giovanni Baronzio (Italian, active c. 1320–1350) |
|---|---|
| Date | c. 1335 |
| Museum | National Gallery of Art, Washington |
| Accession | 1952.5.68 |
| Medium | tempera on panel |
| Dimensions | painted surface: 46.4 × 38.3 cm (18 1/4 × 15 1/16 in.); overall: 48.8 × 40.7 cm (19 3/16 × 16 in.); framed: 55.7 x 48.1 x 5.1 cm (21 15/16 x 18 15/16 x 2 in.) |
| Sheet sizes | 18×24 in, 24×36 in, 32×48 in, 40×60 in |
| Held by | National Gallery of Art, Washington · 1952.5.68 the museum’s record |
|---|---|
| Source file | the National Gallery of Art’s own open-access file (IIIF) |
| Licence | public domain; the file released under CC0 |
| Master | 5,485 × 6,553 px, the file our printer receives |
| Chain | Taken from the National Gallery of Art’s own open-access file (IIIF) on 1 September 2026; held as our print master. |
Printed on demand. Public-domain masterwork, reproduced from a 6,553 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.