
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
Watch the Child's hands. The right reaches for his mother's veil; the left rests on an insect, drawn large. Miklós Boskovits reads the veil as an allusion to the Passion and the insect as a locust, the Baptist's food in the wilderness; this throne stood at the centre of an altarpiece for John the Baptist, flanked by his story.
Five angels hold a cloth of honour, a Rimini habit; small lions on the armrests recall Solomon's throne. Its church is unknown. Its meaning is in his hands: one on the Passion, one on the Baptist's diet.
Sources: Miklós Boskovits, 'Madonna and Child with Five Angels, c. 1335', in Italian Paintings of the Thirteenth and Fourteenth Centuries, NGA Systematic Catalogue, online edition 2016 · National Gallery of Art, Washington, 'Madonna and Child with Five Angels', 1943.4.45 · Google Arts & Culture, National Gallery of Art, 'Madonna and Child with Five Angels' · Samuel H. Kress Foundation, Kress Collection, K1435
Printed on demand. Public-domain masterwork, reproduced from a 11,904 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.