
The museum prints no commentary on this panel at all, and the one scholar who has worked on it says our title is wrong. Jorge Luis Merlo Solorio argues it should be called an Allegory of the Sacred Heart of Jesus: a dense symbolic scheme of the sapiential constructs the Jesuits had standardised, in which — crucified with the consent of the Father and the Spirit — Christ's heart immolates itself for universal salvation. Cabrera painted it in 1750, in oil, on a sheet of copper barely larger than a page.
Sources: Museo Blaisten (Colección Andrés Blaisten), Mexico City, inv. MC001; read 2026-08-27. · Jorge Luis Merlo Solorio (UNAM), 'Miguel Cabrera y las alegorías de los sacros corazones', Quiroga. Revista de patrimonio iberoamericano 18 (2020): 106-117.
Printed on demand. Public-domain masterwork, reproduced from a 15,242 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.