
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Lucas Cranach the Elder (German, 1472–1553) |
|---|---|
| Date | 1506 |
| Museum | The National Gallery, London |
| Accession | NG6511.1 |
| Medium | Oil on wood (probably lime) |
| Dimensions | 120.5 × 63 cm |
| Sheet sizes | 8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in |
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View in the gallerySaint Genevieve holds up a candle that has gone out once already. The National Gallery tells how the devil blew it out while she prayed, and it lit again. Beside her Saint Apollonia keeps her eyes down and her hands folded over the pliers used to pull out her teeth at her martyrdom. Lucas Cranach the Elder painted them in 1506, soon after becoming court painter to the Elector of Saxony, as the outer face of a shutter on an altarpiece centred on Saint Catherine, likely for the electors' chapel at Wittenberg Castle. The flame stands straight, and the pliers rest in her hands like flowers.
Sources: The National Gallery, London, 'Saints Genevieve and Apollonia', NG6511.1, read 2026-09-24 · The National Gallery, London, 'Saints Christina and Ottilia', NG6511.2, read 2026-09-24
Printed on demand. Public-domain masterwork, reproduced from a 22,724 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.