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The Tribute Money (detail) by Masaccio, c. 1425, Cappella Brancacci, Florence

Size
Beside

The sheet at its true proportions, the rule and the doorway at the same scale. The painting is printed whole; where its shape differs from the sheet, the print has a paper border, drawn here.

The Tribute Money

The Tribute Money (detail)

c. 1425 · Affresco — in situ (fresco, in place) · Cappella Brancacci, Basilica di Santa Maria del Carmine, Firenze — Musei Civici Fiorentini, in situ

11×14 in · $59 · unframed, shipping included

Sizes

image 12.5×8.3 in on a 14×11 in sheet

The museum’s file supports 11×14 in at 312 dpi; a larger sheet would fall below our floor.

What is dpi?

Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order · sold unframed

Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it

Shipping included in the price to the eight countries we ship to · dispatched in 2–4 working days · replaced if it arrives damaged, nothing to send back.

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About this painting

Christ stands at the centre of the circle and does not raise His voice; His open hand is enough. The collector who came for the temple tax stands with his back to us, and the twelve close in around Him, heavy as stone. Bruce Cole, writing for Britannica, finds in these figures a monumentality and seriousness unknown before them. The light falls from the upper right, as the chapel's own window lights the wall. At the right edge of the group, a man in a pink-red mantle has long been taken for Masaccio himself; the Innsbruck catalogue records that this is still argued. Peter has his orders: go to the sea.

Sources: Bruce Cole, 'Masaccio: The Brancacci Chapel', Encyclopaedia Britannica · METAPICTOR, University of Innsbruck, 'Masaccio, Der Zinsgroschen'

But that we may not scandalize them, go to the sea, and cast in a hook: and that fish which shall first come up, take: and when thou hast opened it's mouth, thou shalt find a stater: take that, and give it to them for me and thee.

Matthew 17:26 · Douay-Rheims (Challoner)

Pray with this every day  ›
The Record
Date c. 1425
Collection Cappella Brancacci, Florence
Subject The Tribute Money
Season Ordinary Time
Master 3,905 px
License PD/CC0
Attribution Cappella Brancacci, Basilica di Santa Maria del Carmine, Firenze — Musei Civici Fiorentini, in situ

The original, as its museum records it

Artist Masaccio
Medium Affresco — in situ (fresco, in place)
Holding Cappella Brancacci, Basilica di Santa Maria del Carmine, Firenze — Musei Civici Fiorentini, in situ
Accession none — this work has never left the church it was painted for, and a work in situ carries no inventory number

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source The Tribute Money Masaccio Cappella Brancacci.jpg
Master 3,905 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistMasaccio (Italian, 1401–1428)
Datec. 1425
MuseumCappella Brancacci, Basilica di Santa Maria del Carmine, Firenze — Musei Civici Fiorentini, in situ
MediumAffresco — in situ (fresco, in place)
Sheet sizes11×14 in
Provenance of the file
Held byCappella Brancacci, Basilica di Santa Maria del Carmine, Firenze — Musei Civici Fiorentini, in situ the museum’s record
Source fileWikimedia Commons · The Tribute Money Masaccio Cappella Brancacci.jpg
LicencePublic domain
Master3,905 × 2,595 px, the file our printer receives
ChainTaken from Wikimedia Commons; held as our print master.

The sheets

11×14 in sheet 14×11 in · image 12.5×8.3 in · archival margin · 312 dpi

Printed on demand. Public-domain masterwork, reproduced from a 3,905 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.