MONSTRANCE
The Annunciation — Masolino da Panicale
Sanctuary Edition

The Annunciation

Masolino da Panicale (Florentine, c. 1383–1435 or after)
Date c. 1423/1424
Collection National Gallery of Art, Washington
Subject Annunciation
Season Advent
Master 6,482 px
License PD/CC0
Attribution National Gallery of Art, Washington · 1937.1.16

The original, as its museum records it

Artist Masolino da Panicale; Florentine, c. 1383 - 1435 or after
Date c. 1423/1424
Medium tempera (and possibly oil glazes) on panel
Dimensions overall: 148.8 x 115.1 cm (58 9/16 x 45 5/16 in.); framed: 181 x 165.1 x 11.1 cm (71 1/4 x 65 x 4 3/8 in.)
Holding National Gallery of Art, Washington · 1937.1.16

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Master 6,482 px on the long edge
Rights PD/CC0 — the photograph as well as the painting

Sizes

18×24 in$140
sheet 18×24 in · image 18×23.3 in · archival margin · 279 dpi
24×36 in$190
sheet 24×36 in · image 24×31 in · archival margin · 209 dpi
32×48 in$340
sheet 32×48 in · image 32×41.4 in · archival margin · 157 dpi
40×60 in$480
sheet 40×60 in · image 40×51.7 in · archival margin · 125 dpi
View in the gallery

About this painting

Read the book. The Gallery transcribed the page open in Mary's lap: virgo concipiet et pariet filium, a virgin shall conceive and bear a son. It is Isaiah, read as it comes true. Her fingers lie across some of the words.

Gabriel kneels, arms crossed. Her head is down, her other hand brushes her breast. Fifteenth-century viewers knew three stages, startled, reflecting, submitting; the Web Gallery of Art reads this pose as the second. A ray of gold lines comes from the ceiling toward her. Prophecy and fulfilment are both here, one under her hand, one arriving.

Sources: National Gallery of Art, Washington, 'The Annunciation', accession 1937.1.16, inscription section, read 2026-08-31 and 2026-09-01. · Isaiah 7:14-15, Vulgate and Douay-Rheims (Challoner). · National Gallery of Art, Washington, provenance entity 'Hugo Richard Charteris, 11th earl of Wemyss', listing and image description for The Annunciation, read 2026-08-31 and 2026-09-01. · Web Gallery of Art, 'The Annunciation by MASOLINO da Panicale', commentary. · National Gallery of Art, Washington, artist page 'Masolino da Panicale'. · Google Arts & Culture, National Gallery of Art record 'The Annunciation', details and provenance fields. · National Gallery of Art, Washington, 'The Annunciation', legacy object page, bibliography, read 2026-09-01.

Who having heard, was troubled at his saying and thought with herself what manner of salutation this should be.

Luke 1:29 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 6,482 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.