
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
Read the book. The Gallery transcribed the page open in Mary's lap: virgo concipiet et pariet filium, a virgin shall conceive and bear a son. It is Isaiah, read as it comes true. Her fingers lie across some of the words.
Gabriel kneels, arms crossed. Her head is down, her other hand brushes her breast. Fifteenth-century viewers knew three stages, startled, reflecting, submitting; the Web Gallery of Art reads this pose as the second. A ray of gold lines comes from the ceiling toward her. Prophecy and fulfilment are both here, one under her hand, one arriving.
Sources: National Gallery of Art, Washington, 'The Annunciation', accession 1937.1.16, inscription section, read 2026-08-31 and 2026-09-01. · Isaiah 7:14-15, Vulgate and Douay-Rheims (Challoner). · National Gallery of Art, Washington, provenance entity 'Hugo Richard Charteris, 11th earl of Wemyss', listing and image description for The Annunciation, read 2026-08-31 and 2026-09-01. · Web Gallery of Art, 'The Annunciation by MASOLINO da Panicale', commentary. · National Gallery of Art, Washington, artist page 'Masolino da Panicale'. · Google Arts & Culture, National Gallery of Art record 'The Annunciation', details and provenance fields. · National Gallery of Art, Washington, 'The Annunciation', legacy object page, bibliography, read 2026-09-01.
Who having heard, was troubled at his saying and thought with herself what manner of salutation this should be.
Luke 1:29 · Douay-Rheims (Challoner), from the project’s own corpus at data/bible_drc.js
Printed on demand. Public-domain masterwork, reproduced from a 6,482 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.