
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Master of the Saint Lucy Legend (Netherlandish, active c. 1480–c. 1510) |
|---|---|
| Date | c. 1485–1500 |
| Museum | National Gallery of Art, Washington |
| Accession | 1952.2.13 |
| Medium | oil on panel |
| Dimensions | painted surface: 199.2 x 161.8 cm (78 7/16 x 63 11/16 in.) overall (panel): 201.5 x 163.8 cm (79 5/16 x 64 1/2 in.) framed: 220.03 × 182.88 × 9.53 cm (86 5/8 × 72 × 3 3/4 in.) framed weight: 92.987 kg (205 lb.) |
| Sheet sizes | 8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in |
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View in the galleryEight angels lift Our Lady, and she lifts nothing; her hands are joined. She stands on a crescent moon, and far above her the Trinity holds out the crown. On a sheet of music to the left of her head, in tiny letters, runs Ave regina celorum, and the National Gallery of Art traces the music to Walter Frye's setting of that Marian antiphon; Frye was an English composer popular at the Burgundian court. The Master of the Saint Lucy Legend painted the instruments with care, loud trumpets and shawms beside soft vielle, lute and harp, and the angels play them as the musicians of his day did.
Sources: National Gallery of Art, Washington, 'Mary, Queen of Heaven', 1952.2.13, text as published on Google Arts & Culture, read 2026-09-24 · National Gallery of Art, Washington, open-data release (published_images.csv, assistive description of the primary image of object 41595), read 2026-09-24 · National Gallery of Art, Washington, open-data release (objects.csv, object 41595), read 2026-09-24
And a great sign appeared in heaven: A woman clothed with the sun, and the moon under her feet, and on her head a crown of twelve stars.
Apocalypse 12:1 · Douay-Rheims (Challoner)
Printed on demand. Public-domain masterwork, reproduced from a 12,252 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.