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Interior of the Pantheon, Rome
c. 1734 · oil on canvas · National Gallery of Art, Washington
Sizes
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
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All editionsAbout this painting
Through the open eye of the dome comes the only light there is, a circle of blue sky and cloud, and it falls as a bright patch on the far wall. Below the coffers the words run round the drum: Laudate Dominum in sanctis eius, laus eius in ecclesia sanctorum, praise ye the Lord in his holy places, his praise in the church of the saints. Giovanni Paolo Panini filled the Roman floor with the Rome of his own day: a lady in orange silk and one in blue, two men in pale habits, a kneeling figure at the right, a gentleman in red, and statues of saints in the niches between the columns. The National Gallery of Art records the picture at about 1734, in the Kress Collection since 1939, and notes that Hadrian's temple survived whole because it was consecrated as a Christian church in 609. The house of all the gods is Santa Maria ad Martyres now. The door stands open to the square, and the church is still there.
Sources: National Gallery of Art, Washington, 'Interior of the Pantheon, Rome', 1939.1.24; open data and object page read 2026-10-15. · Douay-Rheims Bible, Psalms 149 and 150 (drbo.org). · Catholic Encyclopedia (1907), 'Pope Boniface IV'.
The Record
The original, as its museum records it
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The file this print is made from
| Artist | Giovanni Paolo Panini (Roman, 1691–1765) |
|---|---|
| Date | c. 1734 |
| Museum | National Gallery of Art, Washington |
| Accession | 1939.1.24 |
| Medium | oil on canvas |
| Dimensions | overall: 128 x 99 cm (50 3/8 x 39 in.); framed: 144.1 x 114.3 cm (56 3/4 x 45 in.) |
| Sheet sizes | 8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in |
| Held by | National Gallery of Art, Washington · 1939.1.24 the museum’s record |
|---|---|
| Source file | the National Gallery of Art’s own open-access file (IIIF) |
| Licence | public domain; the file released under CC0 |
| Master | 5,474 × 7,116 px, the file our printer receives |
| Chain | Taken from the National Gallery of Art’s own open-access file (IIIF) on 15 October 2026; held as our print master. |
The sheets
Printed on demand. Public-domain masterwork, reproduced from a 7,116 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.