
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
Photograph: Francesco Bini, CC BY-SA 4.0, cropped
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View in the galleryBehind the embrace, two women face straight out and do not move. The Web Gallery of Art notes their age difference and their resemblance to the protagonists, and reads the two maidservants as the doubles of Mary and Elizabeth.
The Getty places the altarpiece amid Florence's political upheaval at the end of the 1520s. Arcs of arms and fabric bind the two saints, their enlarged bodies filling the panel against a gloomy town.
So the picture holds each woman twice: once in profile, exchanging looks of affection with her kinswoman, and once frontal, eyes fixed on something outside the scene.
Sources: Web Gallery of Art, 'Visitation (after restoration)' (Pontormo), read 2026-09-24 · J. Paul Getty Museum, 'Pontormo: Miraculous Encounters' exhibition page, read 2026-09-24 · J. Paul Getty Museum, Pontormo exhibition checklist (PDF), read 2026-09-24
And it came to pass that when Elizabeth heard the salutation of Mary, the infant leaped in her womb. And Elizabeth was filled with the Holy Ghost.
Luke 1:41 · Douay-Rheims (Challoner)
Printed on demand. Public-domain masterwork, reproduced from a 4,332 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.