
The candles are going out because the tomb has opened. Boston makes the draught the hinge of the whole picture: the stone rolled away, the breeze putting out the angels' candles, and Christ's heavy body stirring back into life. Human light is snuffed at the exact instant divine life returns. And the body is beautiful rather than broken — the museum notes the contrast with every version that dwells on the suffering instead.
Sources: Museum of Fine Arts, Boston, 'The Dead Christ with Angels', accession 58.527; read 2026-08-27. · Regina Stefaniak, 'Replicating Mysteries of the Passion: Rosso's Dead Christ with Angels', Renaissance Quarterly 45, no. 4 (1992): 677-738, DOI 10.2307/2862634.
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