The Holy Family
The original, as its museum records it
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The file this print is made from
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View in the galleryAbout this painting
Potsdam names this panel not for the Virgin but for a basket: Die heilige Familie mit dem Korb, the wickerwork in the lower right corner.
The figures the museum traces elsewhere — their arrangement to the Holy Family beneath the Oak of Raphael and Giulio Romano, the Christ Child's pose to Raphael's Bridgewater Madonna. Luke allows Nazareth a line, that the child was subject to them; Rubens furnished the silence out of Italy. The basket it traces to no one.
No patron is recorded, and no owner. The first year the record can place it anywhere is 1764.
Sources: Google Arts & Culture / SPSG partner page · Luke 2:51, Douay-Rheims (Challoner) · Verifier inspection of the project's own reference image, _look_rubens_holy_family.jpg
And he went down with them and came to Nazareth and was subject to them. And his mother kept all these words in her heart.
Luke 2:51 · Douay-Rheims (Challoner)
Printed on demand. Public-domain masterwork, reproduced from a 9,460 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.