MONSTRANCE
The Massacre of the Innocents — Peter Paul Rubens
Prints up to 40×60 in

The Massacre of the Innocents

Peter Paul Rubens (Flemish, 1577–1640)
Date c. 1611–1612
Collection Art Gallery of Ontario, Toronto
Subject The Massacre of the Innocents
Season Christmas
Master 9,101 px
License Public domain
Attribution Art Gallery of Ontario · AGO.6277.a01

The original, as its museum records it

Artist Peter Paul Rubens
Medium Oil on panel
Dimensions 142 x 183 x 1.9 cm
Holding Art Gallery of Ontario · AGO.6277.a01

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Rubens, Peter Paul - Massacre of the Innocents - Art Gallery of Ontario.jpg
Master 9,101 px on the long edge
Rights Public domain — the photograph as well as the painting

Sizes

sheet 10×8 in · image 10×7.8 in · archival margin · 910 dpi
sheet 14×11 in · image 14×10.9 in · archival margin · 650 dpi
sheet 20×16 in · image 20×15.5 in · archival margin · 455 dpi
sheet 24×18 in · image 23.2×18 in · archival margin · 393 dpi
sheet 36×24 in · image 30.9×24 in · archival margin · 295 dpi
sheet 48×32 in · image 41.2×32 in · archival margin · 221 dpi
sheet 60×40 in · image 51.5×40 in · archival margin · 177 dpi

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About this painting

The soldier at the right, about to dash a child against the stone, is standing in the pose of Michelangelo's risen Christ. The Rubens House draws the conclusion itself: Michelangelo's Christ conquers death; this man causes it.

A woman claws at another soldier's eyes in the attitude of the Laocoön, the antique father who could not save his sons. Rubens had just come home from Italy, and he wanted Antwerp to see he had been there.

It hung in an Austrian monastery under another man's name until 2002.

Sources: c. 1610, oil on panel, 142 × 183 cm, accession 2014/1581 · the soldier taken from Christ in Michelangelo's Resurrection, and the Laocoön behind the clawing woman; Rubens as pictor doctus just back from Italy · attributed to Jan van den Hoecke until Sotheby's identified it as Rubens weeks before the 2002 sale · it hung unnoticed in a corridor of an Austrian monastery before the sale

Then Herod perceiving that he was deluded by the wise men, was exceeding angry: and sending killed all the menchildren that were in Bethlehem, and in all the borders thereof, from two years old and under, according to the time which he had diligently inquired of the wise men.

Matthew 2:16 · Douay-Rheims (Challoner)

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 9,101 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.