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The Penitent Magdalene
about 1550 · tela/ pittura a olio (oil on canvas) · Museo e Real Bosco di Capodimonte, Naples
Sizes
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
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All editionsAbout this painting
Saint Mary Magdalene looks up, and the rims of her eyes are red. One hand is pressed flat to her breast; the other holds a striped cloak at her waist. Below her an open book lies across a skull, and at the left stands a small jar. Google Arts & Culture, presenting the canvas for Capodimonte, reads the ampoule, the skull and the open scriptures as symbols of her repentance, and says the tears roll down her cheeks. Titian lettered his name in the dark above the jar. The Italian state catalogue dates the work about 1550 and holds that it may be the Magdalene Titian sent to Cardinal Alessandro Farnese in Rome in 1547; it was in the Palazzo Farnese in Rome, passed to Parma, and came to Naples with Charles of Bourbon in 1734. Saint Luke tells of the woman at Christ's feet who “began to wash his feet, with tears” and only afterward “anointed them with the ointment” (Luke 7:38). Here the jar waits at the side and the tears come first; He takes ours the same way.
Sources: Ministero della Cultura, Catalogo generale dei Beni Culturali, 'Maddalena', scheda 1500625120 (ente competente: Museo e Real Bosco di Capodimonte), read 2026-10-10. · Google Arts & Culture, 'The Penitent Magdalene', Titian, Museo e Real Bosco di Capodimonte, read 2026-10-10. · Luke 7:38, Douay-Rheims (Challoner), as already verified in this record's scene block from data/bible_drc.js
And standing behind at his feet. she began to wash his feet with tears and wiped them with the hairs of her head and kissed his feet and anointed them with the ointment.
Luke 7:38 · Douay-Rheims (Challoner)
The Record
The original, as its museum records it
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The file this print is made from
| Artist | Titian (Italian, about 1488–1576) |
|---|---|
| Date | about 1550 |
| Museum | Museo e Real Bosco di Capodimonte, Naples |
| Accession | Q136 |
| Medium | tela/ pittura a olio (oil on canvas) |
| Dimensions | 122 × 94 cm |
| Sheet sizes | 18×24 in, 24×36 in, 32×48 in, 40×60 in |
| Held by | Museo e Real Bosco di Capodimonte, Naples · Q136 the museum’s record |
|---|---|
| Source file | Wikimedia Commons · Titian - The penitent magdalene (1565).jpg |
| Licence | Public domain |
| Master | 15,286 × 20,414 px, the file our printer receives |
| Chain | Taken from Wikimedia Commons; held as our print master. |
The sheets
Printed on demand. Public-domain masterwork, reproduced from a 20,414 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.