Drag the print to move it. The painting is shown at true scale; where its shape differs from the sheet the print has a paper border, not drawn here. Prints are sold unframed, and a frame here is only for planning.
The sheet at its true proportions, the rule and the doorway at the same scale. The painting is printed whole; where its shape differs from the sheet, the print has a paper border, drawn here.
Agnus Dei
c. 1635–40 · Oil on canvas · San Diego Museum of Art
For Corpus Christi
Sizes
image 12.5×8.1 in on a 14×11 in sheet
The museum’s file supports 11×14 in at 306 dpi; a larger sheet would fall below our floor.
What is dpi?
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Hahnemühle Photo Rag, 308 gsm cotton rag · pigment inks · printed to order · sold unframed
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Shipping included in the price to the eight countries we ship to · dispatched in 2–4 working days · replaced if it arrives damaged, nothing to send back.
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Christmas: order by Sunday 13 December for delivery in the United States before Christmas.
Christmas: a gift certificate arrives by email the same day, and they choose the painting.
All editionsAbout this painting
A lamb lies on a bare stone ledge, its four feet crossed and tied with cord, and a thin gold ring hangs over its head. Nothing else is in the room. The San Diego Museum of Art asks outright whether this is still life or devotional symbolic painting; Miguel Ángel Aparicio files it with the lambs Emilio Orozco called bodegones a lo divino, still lifes made sacred, and finds that every lamb Zurbarán painted is a merino. The halo, for Aparicio, gives the icon its sharper meaning, and he traces the canvas's inscription, TANQUAM AGNUS, to Isaiah 53:7: "dumb as a lamb before his shearer." Of its own version the Prado sees an animal still alive, in an unmistakably sacrificial posture. The eyes are half shut. The Lamb of God is waiting, and He does not open His mouth.
Sources: San Diego Museum of Art, Spanish Art, entry for Agnus Dei, 1947.36, read 2026-09-24 · Museo Nacional del Prado, 'A lamb (Agnus Dei)', Francisco de Zurbarán, P007293, read 2026-09-24 · Miguel Ángel Aparicio Tovar, 'El ganado ovino en la obra de Zurbarán', Olivenza 2004, pp. 99-104, read 2026-09-24
He was offered because it was his own will, and he opened not his mouth: he shall be led as a sheep to the slaughter, and shall be dumb as a lamb before his shearer, and he shall not open his mouth.
Isaias 53:7 · Douay-Rheims (Challoner)