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View in the galleryThe Child's right hand rests above his knee, thumb and two fingers extended, and Andrea Golden's catalogue entry for Newfields reads that small gesture twice over: a vestige of the old Byzantine blessing, and a quiet reminder that the Child is both human and divine.
Newfields catalogues the panel as a workshop picture, one of several versions that may descend from a lost Bellini original. Golden finds the same pairing in the Virgin's clothes behind the parapet: an earthly red tunic, a celestial blue robe. What the mother wears in cloth, the Child makes with three fingers.
Sources: Andrea Golden, 'Madonna and Child', Masterpieces from the Clowes Collection: Paintings (Newfields, 2022), entry c10005, read 2026-09-24 · Newfields (Indianapolis Museum of Art), collection record 2000.342, read 2026-09-24
Printed on demand. Public-domain masterwork, reproduced from a 5,144 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.