
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Bohemian or Austrian Master (active c. 1340) |
|---|---|
| Date | c. 1340 |
| Museum | Gemäldegalerie, Staatliche Museen zu Berlin |
| Accession | 1833 |
| Medium | Leinwand : Holz (auf Leinwand übertragen) |
| Dimensions | Bildmaß: 68 x 30 cm (Höhe x Breite); Rahmenmaß: 72,5 x 35 cm |
| Sheet sizes | 8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in |
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View in the galleryA thread of blood leaps from Christ's side across the gold. The Gemäldegalerie tells where it goes: blind Longinus, behind the mourners at the left, has opened the side with his lance, and drops of the holy blood heal him. John gives the spear and the blood and water; the name and the cure come from later tradition. Opposite, the museum says, the executioners quarrel over the robe they cast lots for, and the centurion points to Christ as the true Son of God. Angels with censers fly above the crossbeams. The museum likens the precision of the Bohemian or Austrian Master to miniature painting: a Calvary to hold close.
Sources: Staatliche Museen zu Berlin, Gemäldegalerie, 'Kaufmannsche Kreuzigung', Inv. 1833, museum-digital record, read 2026-09-24 · John 19:34, Douay-Rheims (Challoner), project corpus data/bible_drc.js
But one of the soldiers with a spear opened his side: and immediately there came out blood and water.
John 19:34 · Douay-Rheims (Challoner)
Printed on demand. Public-domain masterwork, reproduced from a 9,196 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.