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c. 1650 · oil on canvas · The Cleveland Museum of Art
For Christmas · 25 December
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsOur Lady looks up, and no one else does. Cleveland's reading turns on that: the focus is on Mary, who alone is aware of the angels fluttering overhead with ribbons that carry the Gloria, "Glory to God in the highest: and on earth peace to men of good will." Saint Joseph and the shepherds stolidly regard the Christ Child. The museum finds in her face love, pride and humility at once. Bernardo Cavallino worked in Naples, little known in his lifetime, transforming his contemporaries' innovations with extraordinary delicacy. He signed on the ox, a BC monogram on its rump. Her hand stays on her heart.
Sources: The Cleveland Museum of Art, 'Adoration of the Shepherds', Bernardo Cavallino, c. 1650, 1968.100; read 2026-09-24 · The Cleveland Museum of Art Open Access API, record 1968.100; read 2026-09-24
Glory to God in the highest: and on earth peace to men of good will.
Luke 2:14 · Douay-Rheims (Challoner)
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Bernardo Cavallino (Italian, 1616–1656) |
|---|---|
| Date | c. 1650 |
| Museum | The Cleveland Museum of Art |
| Accession | 1968.100 |
| Medium | oil on canvas |
| Dimensions | Framed: 151 x 172 x 7 cm (59 7/16 x 67 11/16 x 2 3/4 in.); Unframed: 126.8 x 148.3 cm (49 15/16 x 58 3/8 in.) |
| Sheet sizes | 8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in |
| Held by | The Cleveland Museum of Art · 1968.100 the museum’s record |
|---|---|
| Source file | the Cleveland Museum of Art’s own open-access file |
| Licence | public domain; the file released under CC0 |
| Master | 5,395 × 4,609 px, the file our printer receives |
| Chain | Taken from the Cleveland Museum of Art’s own open-access file on 1 September 2026; held as our print master. |
Printed on demand. Public-domain masterwork, reproduced from a 5,395 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.