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The Resurrection — Cecco del Caravaggio
Prints up to 40×60 in

The Resurrection

Cecco del Caravaggio (Italian, 1588/90–after 1620)
Date 1619–1620
Collection Art Institute of Chicago
Subject Resurrection
Season Easter
Master 8,879 px
License Public domain
Attribution The Art Institute of Chicago · 1934.390

The original, as its museum records it

Artist Cecco del Caravaggio (Francesco Boneri; Italian, 1588/90–after 1620)
Date 1619–1620
Medium Oil on canvas
Dimensions 339.1 × 199.5 cm (133 1/2 × 78 1/2 in.); Framed: 389.9 × 246.4 × 10.2 cm (153 1/2 × 97 × 4 in.)
Holding The Art Institute of Chicago · 1934.390

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Francesco Buoneri, called Cecco del Caravaggio - The Resurrection - Google Art Project.jpg
Master 8,879 px on the long edge
Rights Public domain — the photograph as well as the painting

Sizes

sheet 8×10 in · image 5.8×10 in · archival margin · 888 dpi
sheet 11×14 in · image 8.1×14 in · archival margin · 634 dpi
sheet 16×20 in · image 11.5×20 in · archival margin · 444 dpi
sheet 18×24 in · image 13.9×24 in · archival margin · 370 dpi
sheet 24×36 in · image 20.8×36 in · archival margin · 247 dpi
sheet 32×48 in · image 27.7×48 in · archival margin · 185 dpi
sheet 40×60 in · image 34.6×60 in · archival margin · 148 dpi

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About this painting

The slab is still in the angel's grip. He holds the rock back and points, and Christ uses the tomb as a jumping-off point, bursting toward the viewer. Word on Fire's Ellyn von Huben sets the angel's calm against the terrified amazement on the faces of the bystanders.

The Art Institute calls this the only documented painting by Francesco Boneri, perhaps the boy who assisted Caravaggio in his last Roman years, and it exaggerates his master's bold contrast of light and dark.

Matthew has the angel roll back the stone, then sit on it. Cecco catches him before he sits.

Sources: Ellyn von Huben, 'Easter: Caravaggio and the Wondrous Love', Word on Fire, 27 March 2016, read 2026-09-24 · The Art Institute of Chicago, The Resurrection, 1934.390, read 2026-09-24 · The Art Institute of Chicago, via Google Arts & Culture, read 2026-09-24

And behold there was a great earthquake. For an angel of the Lord descended from heaven and coming rolled back the stone and sat upon it.

Matthew 28:2 · Douay-Rheims (Challoner)

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 8,879 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.