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The Resurrection
1542–1544 · Oil on canvas · Galleria Nazionale delle Marche, Urbino
Sizes
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
Christ stands on the dawn air above the tomb, His right hand raised in blessing, the white banner with its red cross in His left, the linen about Him still lifting with the rising. Below Him nothing is still: one guard sleeps with his head on his arm, another hides his eyes behind his hand, a third, in green scale armour, lifts an arm to his brow, and a fourth looks up with his staff still in his grip. The Galleria Nazionale delle Marche reads the canvas in just these two parts, the soldiers' unrest beneath and the calm above, and sees in this Christ Titian's reworking of the risen Christ of his Averoldi Polyptych in Brescia, of 1522. It is the second face of the processional banner the Confraternity of Corpus Domini in Urbino ordered from him, painted in Venice between 1542 and 1544 with the Last Supper on its other side; in 1545 Pietro Viti parted the two to hang beside the high altar of Santa Maria di Pian di Mercato. The guard sleeps or shields its eyes, and the angel's word that morning, “Come, and see,” is left for us.
Sources: Galleria Nazionale delle Marche, Urbino, 'Ultima Cena', DE 239, scheda (Italian), read 2026-10-12. · Galleria Nazionale delle Marche, Urbino, 'Last Supper', DE 239, collection page, read 2026-10-12. · Matthew 28:6, Douay-Rheims (Challoner), data/bible_drc.js (the record's scene.ref).
He is not here. For he is risen, as he said. Come, and see the place where the Lord was laid.
Matthew 28:6 · Douay-Rheims (Challoner)
The Record
The original, as its museum records it
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The file this print is made from
Photograph: Paris Orlando, CC BY-SA 4.0
| Artist | Titian (Italian, c. 1488–1576) |
|---|---|
| Date | 1542–1544 |
| Museum | Galleria Nazionale delle Marche, Urbino |
| Accession | DE 239 |
| Medium | Oil on canvas |
| Dimensions | 163 × 104 |
| Sheet sizes | 16×20 in, 18×24 in, 24×36 in, 32×48 in |
| Held by | Galleria Nazionale delle Marche, Urbino · DE 239 the museum’s record |
|---|---|
| Source file | Wikimedia Commons · Titian - The Resurrection.jpg |
| Licence | The painting is public domain; the photograph is by Paris Orlando under CC BY-SA 4.0 |
| Master | 4,683 × 7,798 px, the file our printer receives |
| Chain | Taken from Wikimedia Commons; held as our print master. |
The sheets
Printed on demand. Public-domain masterwork, reproduced from a 7,798 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.