MONSTRANCE
The Repentant Magdalen — Philippe de Champaigne
Prints up to 24×36 in

The Repentant Magdalen

Philippe de Champaigne (French, 1602–1674)
Date 1648
Collection Museum of Fine Arts, Houston
Subject Saints
Season Ordinary Time
Master 8,009 px
License Public domain
Attribution The Museum of Fine Arts, Houston · 70.26

The original, as its museum records it

Artist Philippe de Champaigne (French, 1602–1674)
Date 1648
Medium Oil on canvas
Dimensions Canvas: 45 5/8 × 35 in. (115.9 × 88.9 cm)
Holding The Museum of Fine Arts, Houston · 70.26

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Philippe de Champaigne - The Repentant Magdalen - Google Art Project.jpg
Master 8,009 px on the long edge
Rights Public domain — the photograph as well as the painting

Sizes

sheet 16×20 in · image 15.3×20 in · archival margin · 400 dpi
sheet 18×24 in · image 18×23.5 in · archival margin · 341 dpi
sheet 24×36 in · image 24×31.3 in · archival margin · 256 dpi

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About this painting

She weeps, and the picture is cold. Houston reads its crisp lines and icy colors as a tone of pious sobriety, and dates Champaigne's adherence to Jansenism, a French Catholic sect of great austerity, to the latter 1640s. The canvas is 1648. Penitence as discipline, not rapture.

The jar she is known by is Luke's: a woman washing Christ's feet with her tears, anointing them from it. No Gospel puts her in a cave — Houston traces it to the legend of her retreat at Sainte-Baume.

Luke never names that woman. Gregory the Great did, in a homily of 591.

Sources: The Museum of Fine Arts, Houston, 'The Repentant Magdalen', acc. 70.26, object record · CAA review corroborating Champaigne's Jansenist context and distinguishing the Houston Magdalen from his separate 1657 Rennes Magdalen · Museo Nacional del Prado, Alonso Cano, 'The Penitent Magdalene' (1652–1657), collection record · The Fitzwilliam Museum, Cambridge, 'Mary Magdalene', Stories and Histories, collection highlights · Jacobus de Voragine, The Golden Legend (Legenda aurea), 'The Life of Saint Mary Magdalene' — Caxton translation, Temple Classics ed., vol. 4 · The National Gallery, London, artist record: Philippe de Champaigne (1602–1674) · Mary Ann Beavis, 'Who is Mary Magdalene?', Institute for Faith and Learning, Baylor University (Christian Reflection series) · Gregory the Great, Homiliae in Evangelia, Book II, Homily 33.1 (PL 76, col. 1239A), preached at Rome c. 591

And standing behind at his feet. she began to wash his feet with tears and wiped them with the hairs of her head and kissed his feet and anointed them with the ointment.

Luke 7:38 · Douay-Rheims (Challoner)

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 8,009 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.