MONSTRANCE
Christ Driving the Traders from the Temple — Unknown follower of Hieronymus Bosch
Prints up to 40×60 in

Christ Driving the Traders from the Temple

Unknown follower of Hieronymus Bosch
Date after 1569
Collection Statens Museum for Kunst, Copenhagen
Subject The Life of Christ
Season Ordinary Time
Master 14,345 px
License Public domain (PD-Art)
Attribution Statens Museum for Kunst (SMK), Copenhagen · KMS3924

The original, as its museum records it

Artist Unknown follower of Hieronymus Bosch
Date after 1569
Medium Oil on panel
Dimensions 101.7 x 155.3 cm
Holding Statens Museum for Kunst (SMK), Copenhagen · KMS3924

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Pieter Bruegel the Elder - Christ Driving the Traders from the Temple - Google Art Project.jpg
Master 14,345 px on the long edge
Rights Public domain (PD-Art) — the photograph as well as the painting

Sizes

sheet 10×8 in · image 10×6.5 in · archival margin · 1434 dpi
sheet 14×11 in · image 14×9.2 in · archival margin · 1025 dpi
sheet 20×16 in · image 20×13.1 in · archival margin · 717 dpi
sheet 24×18 in · image 24×15.7 in · archival margin · 598 dpi
sheet 36×24 in · image 36×23.5 in · archival margin · 398 dpi
sheet 48×32 in · image 48×31.4 in · archival margin · 299 dpi
sheet 60×40 in · image 60×39.2 in · archival margin · 239 dpi

Free shipping, included in the price, to all eight countries we ship to. Printed to order and dispatched in 2–4 working days. If it arrives damaged, we replace it — nothing to send back.

View in the gallery

About this painting

The temple is a cave. The Statens Museum for Kunst describes it as a gloomy grotto amid the city, and at its centre Christ scourging those who have desecrated it.

Around him the trade goes on. A quack operates in front of an audience; a thief reaches for an onlooker's purse; a condemned man hangs in a basket over water, able to free himself only by cutting the rope and falling in. The crescent moon, the museum says, stands for paganism and sin. Far back, almost illegible, a small scene from the Passion is already under way.

Sources: Statens Museum for Kunst, 'A Scientific Controversy', Google Arts & Culture story, read 2026-09-24

And when he had made, as it were, a scourge of little cords, he drove them all out of the temple, the sheep also and the oxen: and the money of the changers he poured out, and the tables he overthrew.

John 2:15 · Douay-Rheims (Challoner)

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 14,345 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.