
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Izaac van Oosten (Flemish, 1613–1661) |
|---|---|
| Date | c. 1655–1661 |
| Museum | Toledo Museum of Art |
| Accession | 1959.1 |
| Medium | Oil on canvas |
| Dimensions | Painting: 22 3/4 × 34 3/4 in. (57.8 × 88.3 cm); Frame: 30 × 42 3/8 × 1 1/2 in. (76.2 × 107.6 × 3.8 cm) |
| Sheet sizes | 8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in |
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View in the galleryA penguin stands at the water's edge beside two swans, and neither has any business in the other's country. The Toledo Museum of Art names them: a South American Humboldt penguin, European mute swans, in a garden that let Izaac van Oosten set side by side creatures that never meet. The museum counts more than a hundred birds and animals, nearly all recognisable species, drawn from what the Netherlands had to hand in menageries, book illustrations and stuffed specimens. Adam and Eve are in here somewhere, small among the trees; the museum asks you to look for them. Every creature stands exact to its kind, already named.
Sources: Toledo Museum of Art, 'The Garden of Eden', Izaac van Oosten, 1959.1, eMuseum, read 2026-09-24 · Toledo Museum of Art, 'The Garden of Eden', Google Arts & Culture, read 2026-09-24
And the Lord God having formed out of the ground all the beasts of the earth, and all the fowls of the air, brought them to Adam to see what he would call them: for whatsoever Adam called any living creature the same is its name.
Genesis 2:19 · Douay-Rheims (Challoner)
Printed on demand. Public-domain masterwork, reproduced from a 12,208 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.