MONSTRANCE
Leaf from a Book of Hours: Annunciation, Nativity and Two Prophets — Attributed to the Master of Riccardiana 231
Prints up to 18×24 in

Leaf from a Book of Hours: Annunciation, Nativity and Two Prophets

Attributed to the Master of Riccardiana 231 (Italian, Florence, active c. 1485)
Date c. 1485
Collection The Cleveland Museum of Art
Subject Annunciation
Season Advent
Master 5,597 px
License CC0
Attribution The Cleveland Museum of Art · 1953.280

The original, as its museum records it

Artist attributed to Master of Riccardiana 231 (Italian)
Date c. 1485
Medium tempera and gold on parchment
Dimensions Sheet: 15.1 x 9.2 cm (5 15/16 x 3 5/8 in.)
Holding The Cleveland Museum of Art · 1953.280

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Master of Riccardiana 231 - Leaf from a Book of Hours- Annunciation, Nativity and Two Prophets - 1953.280 - Cleveland Museum of Art.tif
Master 5,597 px on the long edge
Rights CC0 — the photograph as well as the painting

Sizes

sheet 8×10 in · image 6.1×10 in · archival margin · 560 dpi
sheet 11×14 in · image 8.6×14 in · archival margin · 400 dpi
sheet 16×20 in · image 12.2×20 in · archival margin · 280 dpi
sheet 18×24 in · image 14.7×24 in · archival margin · 233 dpi

Free shipping, included in the price, to all eight countries we ship to. Printed to order and dispatched in 2–4 working days. If it arrives damaged, we replace it — nothing to send back.

View in the gallery

About this painting

A book of hours held the prayers said through the day, the Cleveland Museum of Art explains, and this luxurious leaf could only have belonged to an aristocratic household.

In the arched frame Gabriel kneels before Mary, a flowering branch in his hand. Below, in a gold-edged medallion, the newborn Child lies before his mother, and two prophets look on from roundels at either side.

Atop the border, directly above the Annunciation, a peacock spreads its tail. Cleveland notes that medieval Christian art often used the peacock as a symbol of resurrection and eternal life.

Sources: The Cleveland Museum of Art, 'Leaf from a Book of Hours: Annunciation, Nativity and Two Prophets', 1953.280, read 2026-09-24

And the angel being come in, said unto her: Hail, full of grace, the Lord is with thee: blessed art thou among women.

Luke 1:28 · Douay-Rheims (Challoner)

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 5,597 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.