
There is a face under this one. Van Dyck had sketched a self-portrait on the canvas, and painted Saint Rosalie over it. He was in Palermo in 1624 when plague broke out and the city was sealed, and in that same year the long-lost bones of its twelfth-century patroness were found on Monte Pellegrino. Demand for her image was immediate. So the painter's own face lies beneath the saint pleading for the city he could not leave.
Printed on demand. Public-domain masterwork, reproduced from a 3,835 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.