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1624 · Oil on canvas · The Metropolitan Museum of Art, New York
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All editionsSaint Rosalie rises on a cloud in a plain brown habit, face lifted, hands opening outward, and a crowd of children carries her up. One holds a wreath of roses over her head; at the bottom lies a skull. The Met records that Anthony van Dyck was in Palermo in 1624 when plague broke out and the city was shut in quarantine, and that in the middle of the epidemic the long-lost remains of its twelfth-century patroness were found; images of her, the museum notes, were in great demand. There is a face under this one: the Met says he painted her over a self-portrait he had sketched on the canvas. By 1630 the Genoese collector Desiderio Segno listed it as Santa Rosalia in gloria. She looks up for the city, and underneath her lies the painter's own face.
Sources: The Metropolitan Museum of Art, Saint Rosalie Interceding for the Plague-stricken of Palermo, 71.41, read 2026-09-24 · Walter A. Liedtke, 'Peter Paul Rubens and Anthony van Dyck: Paintings', Heilbrunn Timeline, The Metropolitan Museum of Art, read 2026-09-24
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Anthony van Dyck (Flemish, Antwerp 1599–1641 London) |
|---|---|
| Date | 1624 |
| Museum | The Metropolitan Museum of Art, New York |
| Accession | 71.41 |
| Medium | Oil on canvas |
| Dimensions | 39 1/4 x 29 in. (99.7 x 73.7 cm) |
| Sheet sizes | 11×14 in |
| Held by | The Metropolitan Museum of Art, New York · 71.41 the museum’s record |
|---|---|
| Source file | The Met’s own open-access file |
| Licence | Creative Commons Zero, Public Domain Dedication |
| Master | 2,811 × 3,835 px, the file our printer receives |
| Chain | Taken from The Met’s own open-access file on 25 August 2026; held as our print master. |
Printed on demand. Public-domain masterwork, reproduced from a 3,835 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.