MONSTRANCE
Christ on the Cross with Saints Catherine of Siena and Dominic and an Angel — Anthony van Dyck
Prints up to 40×60 in

Christ on the Cross with Saints Catherine of Siena and Dominic and an Angel

Anthony van Dyck
Date 1622–1627
Collection KMSKA, Antwerp
Subject Crucifixion
Season Lent, Holy Week
Master 23,140 px
License Public domain
Attribution KMSKA (Koninklijk Museum voor Schone Kunsten Antwerpen) · 401

The original, as its museum records it

Artist Anthony van Dyck
Date 1622-1627
Medium oil on canvas
Dimensions 313.8 × 244.6 cm
Holding KMSKA (Koninklijk Museum voor Schone Kunsten Antwerpen) · 401

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source Anthony van Dyck - Christus aan het kruis met de heilige Catharina van Siena, de heilige Dominicus en een engel - 401 - Royal Museum of Fine Arts Antwerp.tiff
Master 23,140 px on the long edge
Rights Public domain — the photograph as well as the painting
At a glance
ArtistAnthony van Dyck
Date1622–1627
MuseumKMSKA (Koninklijk Museum voor Schone Kunsten Antwerpen)
Accession401
Mediumoil on canvas
Dimensions313.8 × 244.6 cm
Sheet sizes8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in

Sizes

sheet 8×10 in · image 7.8×10 in · archival margin · 2314 dpi
sheet 11×14 in · image 10.9×14 in · archival margin · 1653 dpi
sheet 16×20 in · image 15.6×20 in · archival margin · 1157 dpi
sheet 18×24 in · image 18×23.1 in · archival margin · 1001 dpi
sheet 24×36 in · image 24×30.8 in · archival margin · 751 dpi
sheet 32×48 in · image 32×41.1 in · archival margin · 563 dpi
sheet 40×60 in · image 40×51.4 in · archival margin · 450 dpi

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About this painting

Saint Catherine of Siena has both arms round the wood and her cheek against it, eyes closed, holding it as one holds a body, because it holds His. Saint Dominic, founder of her order, stands at the left, face lifted, hand open. Both wear the Dominican black and white. A small angel sits on the stone at the foot of the Cross, where Anthony van Dyck lettered his own name, Antonius van Dyck, and a skull lies below. The KMSKA dates the canvas, more than three metres high, to 1622 to 1627. Faint behind Catherine rises the silhouette of Antwerp Cathedral: Calvary, a short walk from home.

Sources: KMSKA, Antwerp, inv. 401, read 2026-09-24

Pray with this every day  ›

Printed on demand. Public-domain masterwork, reproduced from a 23,140 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.