Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Anthony van Dyck |
|---|---|
| Date | 1622–1627 |
| Museum | KMSKA (Koninklijk Museum voor Schone Kunsten Antwerpen) |
| Accession | 401 |
| Medium | oil on canvas |
| Dimensions | 313.8 × 244.6 cm |
| Sheet sizes | 8×10 in, 11×14 in, 16×20 in, 18×24 in, 24×36 in, 32×48 in, 40×60 in |
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View in the gallerySaint Catherine of Siena has both arms round the wood and her cheek against it, eyes closed, holding it as one holds a body, because it holds His. Saint Dominic, founder of her order, stands at the left, face lifted, hand open. Both wear the Dominican black and white. A small angel sits on the stone at the foot of the Cross, where Anthony van Dyck lettered his own name, Antonius van Dyck, and a skull lies below. The KMSKA dates the canvas, more than three metres high, to 1622 to 1627. Faint behind Catherine rises the silhouette of Antwerp Cathedral: Calvary, a short walk from home.
Printed on demand. Public-domain masterwork, reproduced from a 23,140 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.