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c. 1490 · oil on panel · National Gallery of Art, Washington
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All editionsOne hand is raised, and the nail wound shows in the palm; the side is marked too, a small red cut under the ribs. Christ rises out of gold, a white cloth over one knee, the red-cross banner on its staff. Bergognone painted Him about 1490, in the years the National Gallery of Art's biography has him called to the charterhouse of Pavia, 1488 to 1494. London's National Gallery observes that no evangelist describes Christ standing upon His tomb; the Gospels report a stone rolled away, a tomb empty. Bergognone painted the morning no one saw, and the hand is still raised over whoever stands before it.
Sources: National Gallery of Art, artist biography, Bergognone (NGA Systematic Catalogue). · National Gallery of Art, Washington, 'Christ Risen from the Tomb', Bergognone; exhibition history. · The National Gallery, London, 'The Resurrection', Imitator of Andrea Mantegna, NG1106. · Matthew 28:1-6; Mark 16:1-6; Luke 24:1-3; John 20:1, Douay-Rheims (Challoner). · National Gallery of Art, artist page, Bergognone. · Samuel H. Kress Foundation, Kress Collection record, 'Christ Risen from the Tomb', K1399.
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Bergognone (Lombard, c. 1453–1523) |
|---|---|
| Date | c. 1490 |
| Museum | National Gallery of Art, Washington |
| Accession | 1952.5.1 |
| Medium | oil on panel |
| Dimensions | overall: 114.5 x 61.2 cm (45 1/16 x 24 1/8 in.) framed: 149.5 x 81.3 x 10.2 cm (58 7/8 x 32 x 4 in.) |
| Sheet sizes | 18×24 in, 24×36 in, 32×48 in, 40×60 in |
| Held by | National Gallery of Art, Washington · 1952.5.1 the museum’s record |
|---|---|
| Source file | the National Gallery of Art’s own open-access file (IIIF) |
| Licence | public domain; the file released under CC0 |
| Master | 4,571 × 8,568 px, the file our printer receives |
| Chain | Taken from the National Gallery of Art’s own open-access file (IIIF) on 1 September 2026; held as our print master. |
Printed on demand. Public-domain masterwork, reproduced from a 8,568 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.