Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
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View in the galleryOne of the tormentors has Christ by the hair. The Minneapolis Institute of Art notes that the Passion tracts spun many tales around hair-pulling, a detail Dürer could not resist.
Mia reads the sheet as a display of jeering, scowling derision, the mob likened to animals: one of the men on the ground is posed like the mangy dog.
The woodcut belongs to the Large Passion, which the Art Institute of Chicago says was published in 1511 to illustrate a text by the monk Benedictus Chelidonius. At the center, Christ stands bound to the column.
Sources: Minneapolis Institute of Art, Albrecht Dürer, 'The Flagellation', P.181, read 2026-09-24 · Art Institute of Chicago, Albrecht Dürer, 'The Harrowing of Hell - Christ in Limbo, plate nine from The Large Passion', read 2026-09-24 · The Cleveland Museum of Art, 1926.115, read 2026-09-24
Then therefore Pilate took Jesus and scourged him.
John 19:1 · Douay-Rheims (Challoner)
Printed on demand. Public-domain masterwork, reproduced from a 6,070 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.