
Drag the print to move it. Shown at true scale; prints are sold unframed, and a frame here is only for planning.
c. 1474-1479 · Oli i daurat sobre fusta conífera (oil and gilding on conifer wood) · Museu Nacional d'Art de Catalunya
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsChrist steps barefoot onto the fallen door and takes an old man by the hand. Behind Him the souls kneel naked with their hands joined, and the demons look on from the fire. Bartolomé Bermejo brought the north's oil into Aragon, and the Museu Nacional d'Art de Catalunya names his realism one without idealisations. The museum makes this one of four compartments of a predella on Christ the Redeemer, from a documented altarpiece for Santo Domingo de Silos at Daroca; Cèsar Favà and Mireia Mestre argue the four hung two by two, flanking a tabernacle, about 1474 to 1479. The door lies flat, and an old man kneels on it.
Sources: Museu Nacional d'Art de Catalunya, Barcelona, 'Descent of Christ into Limbo', inv. 015872-000, purchase 1914; object page read 2026-08-27. · Cèsar Favà and Mireia Mestre, Àrea d'Art Medieval, Museu Nacional d'Art de Catalunya, 'The panels of Christ the Redeemer by Bermejo', museum research post, 2 May 2019.
In which also coming he preached to those spirits that were in prison:
1 Peter 3:19 · Douay-Rheims (Challoner)
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Bartolomé Bermejo (Córdoba, circa 1440 – Barcelona, circa 1501) |
|---|---|
| Date | c. 1474-1479 |
| Museum | Museu Nacional d'Art de Catalunya |
| Accession | 015872-000 |
| Medium | Oli i daurat sobre fusta conífera (oil and gilding on conifer wood) |
| Dimensions | 89.5 x 69.5 x 2.5 cm |
| Sheet sizes | 18×24 in, 32×48 in |
| Held by | Museu Nacional d'Art de Catalunya · 015872-000 the museum’s record |
|---|---|
| Source file | Wikimedia Commons · Bartolomé Bermejo - Descent of Christ into Limbo - Google Art Project.jpg |
| Licence | Public domain |
| Master | 4,125 × 5,345 px, the file our printer receives |
| Chain | Taken from Wikimedia Commons on 25 August 2026; held as our print master. |
Printed on demand. Public-domain masterwork, reproduced from a 5,345 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.