
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
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View in the galleryThis is the first of four full-page pictures that, the Met explains, stand before the Mass for the Nativity of Saint John the Baptist, three of them added beyond the book's original plan. John holds the Lamb of God at the edge of a wooded landscape full of wild creatures; the two men beside him remain unidentified.
Beneath the picture the text runs in a single column of alternating red and blue ink, the picture-book format the Met identifies here and on the two pages that follow. The duke meets the Baptist's feast with the Lamb already in John's hands.
Sources: The Metropolitan Museum of Art, The Art of Illumination, 'John the Baptist in the Wilderness, Folio 211r', Belles Heures, 54.1.1, read 2026-09-24 · The Metropolitan Museum of Art, The Art of Illumination, 'Masses, Prayers, and the Story of Saint John the Baptist' (2010), read 2026-09-24 · The Metropolitan Museum of Art, The Cloisters Collection, The Belles Heures of Jean de France, duc de Berry, 54.1.1a, b, object record, read 2026-09-24
And in those days cometh John the Baptist preaching in the desert of Judea.
Matthew 3:1 · Douay-Rheims
Printed on demand. Public-domain masterwork, reproduced from a 3,690 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.