MONSTRANCE
Saint Jerome Translating the Bible — The Limbourg Brothers
Prints up to 8×10 in

Saint Jerome Translating the Bible

Herman, Paul, and Jean de Limbourg (Franco-Netherlandish, active in France by 1399–1416)
Date 1405–1408/9
Collection The Metropolitan Museum of Art, The Cloisters
Subject The Book of Hours
Season Ordinary Time
Master 3,075 px
License PD/CC0
Attribution The Metropolitan Museum of Art, The Cloisters · 54.1.1a, b

The original, as its museum records it

Artist Herman, Paul, and Jean de Limbourg (Franco-Netherlandish, active in France by 1399–1416)
Date 1405–1408/9
Medium Ink, tempera, and gold leaf on vellum
Dimensions 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm)
Holding The Metropolitan Museum of Art, The Cloisters · 54.1.1a, b

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source DP307507.jpg
Master 3,075 px on the long edge
Rights PD/CC0 — the photograph as well as the painting

Sizes

sheet 8×10 in · image 7.2×10 in · archival margin · 308 dpi

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About this painting

Jerome's study here is a rich church building, and the Limbourgs have put more in it than one scholar. In an upper storey, three prophets hold banderoles referring to books Jerome translated; below, he translates the Bible, a task the page's caption says took fifty-five years and six months. The Met's commentary sees the Limbourgs adding their own stamp to a traditional scene. Wendy A. Stein, writing for the Met, follows his tame lion through the cycle: three times on folio 187r, then, most traditionally, here in the study with him.

Sources: The Metropolitan Museum of Art, The Art of Illumination, folio 187v; read 2026-09-24 · Wendy A. Stein, 'The Story of Saint Jerome', The Art of Illumination blog, The Metropolitan Museum of Art, 19 May 2010; read 2026-09-24

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Printed on demand. Public-domain masterwork, reproduced from a 3,075 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.