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View in the galleryPilate washes his hands, and the Met's commentary gives the gesture its meaning: he is absolving himself of the condemnation of Christ.
Now look to the right. The large figure in pink, the Met notes, appears to derive from an earlier artistic model, and he never quite fits the room. His sleeve and Pilate's blue garment meet in a space the painter could not settle, and his place against Pilate's throne stays ambiguous. A borrowed figure crowds the judge at the very moment the judge claims to stand apart, and the blue robe cannot get clear of him.
Sources: The Metropolitan Museum of Art, The Art of Illumination, 'Pilate Washes his Hands, Folio 138r', Belles Heures, 54.1.1, read 2026-09-24 · The Metropolitan Museum of Art, The Art of Illumination, 'Hours of the Passion' (2010), read 2026-09-24 · The Metropolitan Museum of Art, The Cloisters Collection, The Belles Heures of Jean de France, duc de Berry, 54.1.1a, b, object record, read 2026-09-24
And Pilate seeing that he prevailed nothing, but that rather a tumult was made, taking water washed his hands before the people, saying: I am innocent of the blood of this just man. Look you to it.
Matthew 27:24 · Douay-Rheims
Printed on demand. Public-domain masterwork, reproduced from a 3,532 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.