
Drag the print to move it. Shown at true scale; prints are sold unframed, and a frame here is only for planning.
c. 1420 · tempera on poplar panel · National Gallery of Art, Washington
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsThe Child's right hand reaches up to His Mother's neckline, where the National Gallery of Art reads a single word, MATER, and completes it as Mother of God. Along her hem, the Gallery records, runs the angel's greeting, AVE MARIA GRATIA PLENA. He sits bare-footed in blue on her lap; her eyes are lowered, one hand at His side. The Gallery calls Gentile da Fabriano's art cosmopolitan, brilliant color, textural richness and ornamental pattern combined. An 1874 sale catalogue gave the Child a pomegranate, and the Gallery allows that a restorer may have painted one in, cleaned away before 1911. What He reaches for now is a word.
Sources: National Gallery of Art, Washington, 'Madonna and Child Enthroned', Gentile da Fabriano, c. 1420, accession 1939.1.255, Samuel H. Kress Collection; read 2026-09-24. · National Gallery of Art open data, published_images.csv, assistive text for object 396 (CC0); read 2026-09-24. · National Gallery of Art open data, objects.csv, provenance text for object 396, accession 1939.1.255 (CC0); read 2026-09-24.
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Gentile da Fabriano (Italian, Marchigian, c. 1370 - 1427) |
|---|---|
| Date | c. 1420 |
| Museum | National Gallery of Art, Washington |
| Accession | 1939.1.255 |
| Medium | tempera on poplar panel |
| Dimensions | overall: 95.7 x 56.5 cm (37 11/16 x 22 1/4 in.) |
| Sheet sizes | 18×24 in, 24×36 in, 32×48 in, 40×60 in |
| Held by | National Gallery of Art, Washington · 1939.1.255 the museum’s record |
|---|---|
| Source file | the National Gallery of Art’s own open-access file (IIIF) |
| Licence | Public domain |
| Master | 18,546 × 32,244 px, the file our printer receives |
| Chain | Taken from the National Gallery of Art’s own open-access file (IIIF) on 25 August 2026; held as our print master. |
Printed on demand. Public-domain masterwork, reproduced from a 32,244 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.