
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The baby lies on his back and points at his mother, one arm out. Joseph sits on a low brick wall, a short staff planted beside him; Mary sits on a rock; a loose ring of pebbles surrounds the three. Through the arch, a white square tower and a far town.
Look at Joseph. Old, head bowed over the child, white hair in tufts over his ears: the surveys say the figures resemble Giovanni Bellini's, he above all. Klára Garas dates it early, between 1500 and 1504. Giorgione was in his twenties; his Joseph is the oldest thing in it.
Sources: National Gallery of Art, Washington, 'The Holy Family', Giorgione, 1952.2.8 · National Gallery of Art, artist page, Giorgione, image description for 1952.2.8 · Klára Garas, 'The History of Collecting Giorgione in America – An Outline', Acta Historiae Artium 59 (2018), 42-43 · Cavallini to Veronese, 'Giorgione', entry for the Washington Holy Family · Web Gallery of Art, Giorgione, 'The Holy Family' · Google Arts & Culture, National Gallery of Art, 'The Holy Family', Giorgione · pubhist.com, Giorgione, 'The Holy Family'
Printed on demand. Public-domain masterwork, reproduced from a 12,286 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.