
Drag the print to move it. Shown at true scale; prints are sold unframed, and a frame here is only for planning.
after 1461 · Tempera and gold on wood · The Metropolitan Museum of Art, New York
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsA thin column stands between Saint Catherine and the altar. The priest faces the chalice with one hand raised; behind her, Christ Himself brings His hand to her lips. The Metropolitan Museum says these panels were the first extensive narrative cycle of Catherine of Siena, commissioned after her canonization in 1461 and based on the biography by her confessor Raymond of Capua. Giovanni di Paolo, the Met notes, manipulates space to enhance the mystic character of his subject. The Met suggests the Pizzicaiuoli, the dry-goods guild, may have ordered the altarpiece in 1447. If so, grocers paid for the first pictures of a mystic.
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena) |
|---|---|
| Date | after 1461 |
| Museum | The Metropolitan Museum of Art, New York |
| Accession | 32.100.95 |
| Medium | Tempera and gold on wood |
| Dimensions | 11 3/8 x 8 3/4 in. (28.9 x 22.2 cm) |
| Sheet sizes | 11×14 in |
| Held by | The Metropolitan Museum of Art, New York · 32.100.95 the museum’s record |
|---|---|
| Source file | The Met’s own open-access file |
| Licence | Creative Commons Zero, Public Domain Dedication |
| Master | 2,906 × 3,809 px, the file our printer receives |
| Chain | Taken from The Met’s own open-access file on 25 August 2026; held as our print master. |
Printed on demand. Public-domain masterwork, reproduced from a 3,809 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.