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Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit by Giovanni di Paolo, 1460s, The Cleveland Museum of Art
Saints

Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit

1460s · tempera and gold on wood panel · The Cleveland Museum of Art

For Saint Catherine of Siena · 29 April

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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.

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About this painting

Three saints lean out of the gold and hold out their habits, and Saint Catherine, kneeling in white beside an altar, reaches up. The Cleveland Museum of Art names them, Dominic, Augustine and Francis, and says she takes Dominic's; know him, Cleveland adds, by his lilies. Raymond of Capua, her biographer, puts the habit first in a dream, as Edmund Gardner retells it: Dominic held a white lily that burned and was not consumed, and offered the black and white habit of the Sisters of Penance. Awake it was harder; the sisters were widows and did not want a maiden. Giovanni di Paolo keeps the lily in Dominic's hand.

Sources: The Cleveland Museum of Art, 'Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit', Giovanni di Paolo, 1966.2 · Edmund G. Gardner, Saint Catherine of Siena: A Study in the Religion, Literature and History of the Fourteenth Century in Italy (London: Dent, 1907), 10-12, citing Raymond of Capua, Legenda maior I.iv §§49-50 · The Metropolitan Museum of Art, 'Saint Catherine of Siena Beseeching Christ to Resuscitate Her Mother', Giovanni di Paolo, catalogue entry

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The Record
Date 1460s
Collection The Cleveland Museum of Art
Subject Saints
Season Ordinary Time
Master 5,000 px
License PD/CC0
Attribution The Cleveland Museum of Art · 1966.2

The original, as its museum records it

Artist Giovanni di Paolo (Italian, c. 1403–1482)
Date 1460s
Medium tempera and gold on wood panel
Dimensions Framed: 35.6 x 29.5 x 4.5 cm (14 x 11 5/8 x 1 3/4 in.); Unframed: 28.9 x 23 cm (11 3/8 x 9 1/16 in.)
Holding The Cleveland Museum of Art · 1966.2

Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.

The file this print is made from

Source 1966.2_full.tif
Master 5,000 px on the long edge
Rights PD/CC0 — the photograph as well as the painting
At a glance
ArtistGiovanni di Paolo (Italian, c. 1403–1482)
Date1460s
MuseumThe Cleveland Museum of Art
Accession1966.2
Mediumtempera and gold on wood panel
DimensionsFramed: 35.6 x 29.5 x 4.5 cm (14 x 11 5/8 x 1 3/4 in.); Unframed: 28.9 x 23 cm (11 3/8 x 9 1/16 in.)
Sheet sizes11×14 in, 16×20 in, 18×24 in
Provenance of the file
Held byThe Cleveland Museum of Art · 1966.2 the museum’s record
Source filethe Cleveland Museum of Art’s own open-access file
Licencepublic domain; the file released under CC0
Master3,945 × 5,000 px, the file our printer receives
ChainTaken from the Cleveland Museum of Art’s own open-access file on 1 September 2026; held as our print master.

The sheets

11×14 in sheet 11×14 in · image 11×13.9 in · archival margin · 359 dpi
16×20 in sheet 16×20 in · image 15.8×20 in · archival margin · 250 dpi
18×24 in sheet 18×24 in · image 18×22.8 in · archival margin · 219 dpi

Printed on demand. Public-domain masterwork, reproduced from a 5,000 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.