
Drag the print to move it. Shown at true scale; prints are sold unframed, and a frame here is only for planning.
1445 · Tempera and gold on canvas, transferred from wood · The Metropolitan Museum of Art, New York
Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
Free shipping, included in the price, to all eight countries we ship to. Dispatched in 2–4 working days — nothing to send back if it arrives damaged.
A printed card goes in the parcel with your message and the work’s museum record. No price is shown anywhere in the parcel. Enter the recipient’s address at checkout.
0 / 240The certificate’s balance is applied at checkout; any remainder is paid there. Check a balance or buy one.
Christmas: order by Monday 7 December for delivery in the United States before Christmas.
All editionsIn Giovanni di Paolo's heaven nobody kneels. Two friars, one in white, one in black, embrace; a gold-winged angel holds a crowned woman in red; rabbits are in the grass. The Metropolitan Museum calls the meadow tapestry-like, with giant flowers and fruit trees, and notes that what appear to be apple trees have lost their color to the gold beneath. With the Creation and Expulsion, it formed part of the predella of an altarpiece for San Domenico, Siena. He had seen Fra Angelico in Florence; the Met says he chose graceful rhythm over Florentine perspective to intensify the vision. Where the apples were, gold shows through.
Sources: The Metropolitan Museum of Art, Giovanni di Paolo, Paradise, 06.1046, read 2026-09-24 · The Metropolitan Museum of Art, Giovanni di Paolo, The Creation of the World and the Expulsion from Paradise, 1975.1.31, read 2026-09-24
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
| Artist | Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena) |
|---|---|
| Date | 1445 |
| Museum | The Metropolitan Museum of Art, New York |
| Accession | 06.1046 |
| Medium | Tempera and gold on canvas, transferred from wood |
| Dimensions | 18 7/16 × 16 1/16 in. (46.8 × 40.8 cm); painted surface 17 1/2 x 15 1/8 in. (44.5 x 38.4 cm) |
| Sheet sizes | 11×14 in |
| Held by | The Metropolitan Museum of Art, New York · 06.1046 the museum’s record |
|---|---|
| Source file | The Met’s own open-access file |
| Licence | Creative Commons Zero, Public Domain Dedication |
| Master | 3,194 × 3,669 px, the file our printer receives |
| Chain | Taken from The Met’s own open-access file on 25 August 2026; held as our print master. |
Printed on demand. Public-domain masterwork, reproduced from a 3,669 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.