Editions
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The Ascension
1456/1457 · tempera on panel · National Gallery of Art, Washington
Sizes
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Dots per inch: how many pixels of the museum’s file go into each inch of paper. Our floor is 240 for sheets up to 20 inches, 180 up to 36 inches and 120 beyond, because a larger print is seen from further away. We never offer a sheet below the floor, and the number on each size is the one you receive.
Printed to order · the whole painting, never cropped · if it arrives damaged, we replace it
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All editionsAbout this painting
Two footprints are pressed into the top of a green rock, and that is all the earth keeps of Him. Christ sits above in red, one hand raised. The National Gallery of Art, Washington, describes Him on a black cloud, flanked by Old Testament figures who foretold or foreshadowed His life. Below kneel the twelve apostles and the Virgin in cobalt blue, the only one with a halo; Saint John, a beardless youth in green, puts his arm around her. Johann Koerbecke painted it, the Gallery says, for the high altar of the Cistercian abbey at Marienfeld, among eight scenes of Mary's life.
Sources: National Gallery of Art, Washington, 'The Ascension', accession 1959.9.5, overview text (legacy object page), read 2026-09-01. The page refers on to John Oliver Hand, German Paintings of the Fifteenth through Seventeenth Centuries (1993). · National Gallery of Art, Washington, artist page 'Johann Koerbecke', listing and image description for The Ascension, read 2026-08-31 and 2026-09-01. · National Gallery of Art, Washington, provenance entity 'Cistercian Cloister at Marienfeld, Abbey Church'. · pubhist.com, 'Johann Koerbecke - The ascension', record w19432, quoting the NGA provenance. · Museo Nacional Thyssen-Bornemisza, artist page 'Koerbecke, Johann'. · Artsy, National Gallery of Art partner record, 'The Ascension'.
And when he had said these things, while they looked on, he was raised up: and a cloud received him out of their sight.
Acts 1:9 · Douay-Rheims (Challoner)
The Record
The original, as its museum records it
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
The file this print is made from
| Artist | Johann Koerbecke (German, c. 1420–1491) |
|---|---|
| Date | 1456/1457 |
| Museum | National Gallery of Art, Washington |
| Accession | 1959.9.5 |
| Medium | tempera on panel |
| Dimensions | overall: 92.7 × 64.8 cm (36 1/2 × 25 1/2 in.); framed: 117.1 × 85.1 cm (46 1/8 × 33 1/2 in.) |
| Sheet sizes | 18×24 in, 24×36 in, 32×48 in, 40×60 in |
| Held by | National Gallery of Art, Washington · 1959.9.5 the museum’s record |
|---|---|
| Source file | the National Gallery of Art’s own open-access file (IIIF) |
| Licence | public domain; the file released under CC0 |
| Master | 15,799 × 23,378 px, the file our printer receives |
| Chain | Taken from the National Gallery of Art’s own open-access file (IIIF) on 1 September 2026; held as our print master. |
The sheets
Printed on demand. Public-domain masterwork, reproduced from a 23,378 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.