
Every line above is reproduced from the holding institution’s own catalogue entry, which is linked. Where their title, date or attribution differs from ours, theirs is the one printed here.
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View in the galleryAt the right edge the stoning spills onto the next wall. At the centre Stephen is dead, laid out on the axis of a columned nave at the point the Web Gallery of Art reads as the crossing, and the tiled floor and coffered ceiling frame his bier.
The mourners are Lippi's contemporaries. Roggero Roggeri identifies the heavy figure at the right, in a cardinal's ample red, as Enea Silvio Piccolomini, Pope Pius II. Tuscany's regional guide sees a probable self-portrait in the older of the two friars flanking him: the painter, himself a friar, standing at the bier.
Sources: Web Gallery of Art, commentary on Filippo Lippi, Funeral of St Stephen, Prato, read 2026-09-24 · Roggero Roggeri, 'Enea Silvio Piccolomini: iconografia… Parte I, da Filippo Lippi al Sodoma', About Art Online, read 2026-09-24 · Visit Tuscany (Regione Toscana), 'Filippo Lippi frescoes in the Prato Cathedral', read 2026-09-24 · Prato Turismo, 'Cattedrale di Santo Stefano', read 2026-09-24
And devout men took order for Stephen's funeral and made great mourning over him.
Acts 8:2 · Douay-Rheims (Challoner)
Printed on demand. Public-domain masterwork, reproduced from a 9,108 px master of the original. The whole image is printed — never cropped to fit the sheet — so every sheet carries an archival margin, and the dimensions and resolution listed above are the ones you receive.